Lot 189 Katsushika Hokusai (1760-1849) | Nihonbashi Bridge in Edo (Edo Nihonbashi) | Edo period, 19th century
落槌价
****
成交价
****
| 拍卖公司 | 苏富比 |
|---|---|
| 拍卖时间 | 2026年06月11日 |
请安装多宝古瓷宝典APP，查看高清无损大图
拍品信息
拍品名称
Katsushika Hokusai (1760-1849) | Nihonbashi Bridge in Edo (Edo Nihonbashi) | Edo period, 19th century
起拍价
EUR 15,000
估值区间
15,000 - 20,000 EUR
尺寸
未知
品相
Good impression and colour, some slight toning, minor soiling, light creasing, slight foxing, the top left and right corners with small repair, slight mark to the lower left-hand side, a few pinholes.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
woodblock print, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), signed Saki no Hokusai Iitsu hitsu (Brush of Iitsu, the former Hokusai), published by Nishimuraya Yohachi (Eijudo), circa 1832, blue outline
Horizontal oban: 26 x 38 cm, 10¼ by 15 in.
图录
说明：Merchant storehouses flank the embankment along the Nihonbashi River. The Nihonbashi Bridge teems with pedestrians, fishmongers, vendors and porters carrying their various wares and produce. Hokusai radically crops the foreground, showing only the upper portion of the figures on the bridge – a bold compositional device that intensifies the sense of bustling movement and thrusts the viewer directly into the crowds. In the waters below, boatmen prepare to unload their cargo along the bank. Beyond, Edo Castle and the snow-capped cone of Mount Fuji emerge from forest and hills in the distance.
Views of the central district of old Edo are frequently characterised by three motifs: the arc of Nihonbashi [lit. The Bridge of Japan] – together with the tiered roofs of Edo Castle and the distant silhouette of Mount Fuji. As the starting point of the Tokaido highway connecting Edo and Kyoto, Nihonbashi was considered an important symbol of the capital.
A similar impression of the same print is in the collection of the Metropolitan Museum of Art (The MET), object number JP1295, go to:
https://www.metmuseum.org/art/collection/search/55237
Horizontal oban: 26 x 38 cm, 10¼ by 15 in.
图录
说明：Merchant storehouses flank the embankment along the Nihonbashi River. The Nihonbashi Bridge teems with pedestrians, fishmongers, vendors and porters carrying their various wares and produce. Hokusai radically crops the foreground, showing only the upper portion of the figures on the bridge – a bold compositional device that intensifies the sense of bustling movement and thrusts the viewer directly into the crowds. In the waters below, boatmen prepare to unload their cargo along the bank. Beyond, Edo Castle and the snow-capped cone of Mount Fuji emerge from forest and hills in the distance.
Views of the central district of old Edo are frequently characterised by three motifs: the arc of Nihonbashi [lit. The Bridge of Japan] – together with the tiered roofs of Edo Castle and the distant silhouette of Mount Fuji. As the starting point of the Tokaido highway connecting Edo and Kyoto, Nihonbashi was considered an important symbol of the capital.
A similar impression of the same print is in the collection of the Metropolitan Museum of Art (The MET), object number JP1295, go to:
https://www.metmuseum.org/art/collection/search/55237
常见问题
拍品的品相状况如何？
Good impression and colour, some slight toning, minor soiling, light creasing, slight foxing, the top left and right corners with small repair, slight mark to the lower left-hand side, a few pinholes.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
