Katsushika Hokusai (1760-1849) | Tsukuda Island in Musashi Province (Buyo Tsukuda-jima) | Edo period, 19th century
起拍价
EUR 50,000
估值区间
50,000 - 70,000 EUR
尺寸
未知
品相
Very good impression of the early aizuri-e printing, very good colour, some very minor soiling to edges, tiny binding holes along the right-hand edge patched from verso, a few further small repairs, the red collector's seal showing through slightly to the front of the print, slight water mark to the right-hand edge of verso, the reverse with small pencil annotations to the top right and bottom right corners.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
woodblock print, aizuri-e, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), signed Saki no Hokusai Iitsu hitsu (Brush of Iitsu, the former Hokusai), censor’s seal kiwame (approved), published by Nishimuraya Yohachi (Eijudo), early 1831, blue outline; with collector's seal of Gerhard Pulverer to verso
Horizontal oban: 25.5 x 37.1 cm, 10 by 14⅝ in.
来源:Gerhard Pulverer (b. 1930)
图录
说明:Passenger, pleasure and cargo boats are at sail in the bay of Edo around Tsukuda Island. In the foreground, the triangular supports around the cargo in the largest boat answers the conical shape of Mount Fuji. The subtleties of the newly imported Berlin blue pigment, the only colour used in this early printing, is fully exploited by the use of delicate graduations and small areas of over-printing.1 This is one of the first five designs from the series of which all were printed entirely in shades of Berlin blue. Later states introduced colours to the designs.
A similar impression of the same print is in the collection of the Metropolitan Museum of Art (The MET), accession number JP2563, go to:
https://www.metmuseum.org/art/collection/search/57004
1. Timothy Clark, ed., Hokusai: Beyond the Great Wave (London, 2017), p. 113.
常见问题
拍品的品相状况如何?
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Very good impression of the early aizuri-e printing, very good colour, some very minor soiling to edges, tiny binding holes along the right-hand edge patched from verso, a few further small repairs, the red collector's seal showing through slightly to the front of the print, slight water mark to the right-hand edge of verso, the reverse with small pencil annotations to the top right and bottom right corners.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.