Kitagawa Utamaro (1754-1806) | Maternal Love of Sankatsu and Hanshichi (Sankatsu Hanshichi no bosetsu) | Edo period, late 18th century
起拍价
EUR 5,000
估值区间
5,000 - 8,000 EUR
尺寸
未知
品相
Good impression and colour, toning, slight soiling and creasing, there is some water damage to the bottom of the print extending into the robe of the seated figure, some further running of pigments particularly to the robes, a few small patch repairs, the top right corner with restorations, the reverse with traces of paper and adhesive residue to the edges, the top left and right corner with tape residue to verso, the reverse with some ink marks to the bottom edge, the collector’s seal to verso showing through slightly to the front of the print.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
woodblock print, from the series Eight Pledges at Lovers' Meetings (Omi hakkei), signed Utamaro hitsu (Brush of Utamaro), published by Omiya Gonkuro, circa 1798-99; with collector’s seal Berès to verso
Vertical oban: 38.1 x 25.1 cm., 15 by 9⅞ in.
来源:Huguette Berès (1913-1999)
图录
说明:Six other prints from the same series are in the collection of the Museum of Fine Arts, Boston, accession numbers 21.6487, 21.6488, 21.6486, 21.6485, 21.6484, and 11.14203.
常见问题
拍品的品相状况如何?
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Good impression and colour, toning, slight soiling and creasing, there is some water damage to the bottom of the print extending into the robe of the seated figure, some further running of pigments particularly to the robes, a few small patch repairs, the top right corner with restorations, the reverse with traces of paper and adhesive residue to the edges, the top left and right corner with tape residue to verso, the reverse with some ink marks to the bottom edge, the collector’s seal to verso showing through slightly to the front of the print.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.