Lot 119 約十五/十六世紀 青花陶瓷一組 | A SELECTION OF SMALL BLUE AND WHITE ITEMS AND TWO GREEN-GLAZED LIME POTS
落槌价
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成交价
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| 拍卖公司 | 邦瀚斯 |
|---|---|
| 拍卖时间 | 2026年07月16日 |
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拍品信息
拍品名称
約十五/十六世紀 青花陶瓷一組 | A SELECTION OF SMALL BLUE AND WHITE ITEMS AND TWO GREEN-GLAZED LIME POTS
起拍价
GBP 1,000
估值区间
GBP 1000 - 2000
尺寸
未知
品相
未知
更多信息
Vietnam, 15th-18th Century
Comprising: a greyish-blue-glazed crab-form box and cover; a covered box carved to the exterior with geometric designs and a cover decorated to the top with a medallion enclosing a gentleman seated in a landscape holding a book; a vase decorated with two cartouches, each enclosing a bird perched on a foliate spray, above a band of stylised lotus petals; a kendi of compressed globular form, painted around the exterior with bands of scrolling floral designs; a peach-shaped brush washer modelled with a perched parrot forming the handle to one side; and two green-glazed lime pots, each with an aperture and applied with a betel-vine-form handle.
The largest: 15.3cm (6in) high. (9).
Footnotes
約十五/十六世紀 青花陶瓷一組
越南 十八世紀 綠釉石灰壺兩件
Provenance: Hoi An Cargo (the peach-shaped brush washer, the vase and the crab-shaped box and cover)(labels and/or collector's notes)
Mr Robert P. Piccus (1935–2022) and Mrs Alice Y. Piccus, San Francisco (the covered box and the kendi)(labels)
Acquired from R & G McPherson Antiques, London, 2002 (the vase)(collector's notes)
Christie's South Kensington, 13th February 2003, lot 408 (the larger lime pot)
Acquired from R & G McPherson Antiques, London, 2003 (the kendi and the covered box)(collector's notes)
Acquired from R & G McPherson Antiques, London, 2004 (the peach-shaped brush washer)(label and collector's notes)
Oriental Ceramic Society of Hong Kong, , Hong Kong Museum of Art, 27th January-2nd April 1979, no.205 (the covered box)(label); no.182 (the kendi)(label)
M. White, , vol.1, n.p., 2020, p.177 (the brush washer); p.226 (the crab)
M. White, , vol. 4, n.p., 2023, p.280 (the two lime pots)
There were very few parrot and peach brush washers that were recovered from the Hoi An Cargo compared to other ceramic vessels, making the one in the present lot rather unique. There is speculation that they were used for cosmetics due to the symbolism of peaches for longevity and parrots for female beauty.
Comprising: a greyish-blue-glazed crab-form box and cover; a covered box carved to the exterior with geometric designs and a cover decorated to the top with a medallion enclosing a gentleman seated in a landscape holding a book; a vase decorated with two cartouches, each enclosing a bird perched on a foliate spray, above a band of stylised lotus petals; a kendi of compressed globular form, painted around the exterior with bands of scrolling floral designs; a peach-shaped brush washer modelled with a perched parrot forming the handle to one side; and two green-glazed lime pots, each with an aperture and applied with a betel-vine-form handle.
The largest: 15.3cm (6in) high. (9).
Footnotes
約十五/十六世紀 青花陶瓷一組
越南 十八世紀 綠釉石灰壺兩件
Provenance: Hoi An Cargo (the peach-shaped brush washer, the vase and the crab-shaped box and cover)(labels and/or collector's notes)
Mr Robert P. Piccus (1935–2022) and Mrs Alice Y. Piccus, San Francisco (the covered box and the kendi)(labels)
Acquired from R & G McPherson Antiques, London, 2002 (the vase)(collector's notes)
Christie's South Kensington, 13th February 2003, lot 408 (the larger lime pot)
Acquired from R & G McPherson Antiques, London, 2003 (the kendi and the covered box)(collector's notes)
Acquired from R & G McPherson Antiques, London, 2004 (the peach-shaped brush washer)(label and collector's notes)
Oriental Ceramic Society of Hong Kong, , Hong Kong Museum of Art, 27th January-2nd April 1979, no.205 (the covered box)(label); no.182 (the kendi)(label)
M. White, , vol.1, n.p., 2020, p.177 (the brush washer); p.226 (the crab)
M. White, , vol. 4, n.p., 2023, p.280 (the two lime pots)
There were very few parrot and peach brush washers that were recovered from the Hoi An Cargo compared to other ceramic vessels, making the one in the present lot rather unique. There is speculation that they were used for cosmetics due to the symbolism of peaches for longevity and parrots for female beauty.
