Lot 231 Utagawa Toyokuni II (Toyoshige, 1777-1835) | The complete set of Eight Views of Famous Places (Meisho hakkei) | Edo period, 19th century
落槌价
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成交价
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| 拍卖公司 | 苏富比 |
|---|---|
| 拍卖时间 | 2026年06月11日 |
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拍品信息
拍品名称
Utagawa Toyokuni II (Toyoshige, 1777-1835) | The complete set of Eight Views of Famous Places (Meisho hakkei) | Edo period, 19th century
起拍价
EUR 20,000
估值区间
20,000 - 30,000 EUR
尺寸
未知
品相
Each good impression and colour, comprising one first edition and seven second editions, each with thin paper backing, each with slight trimming to margins (into the censor's and publisher's seals in the left margin), each with slight toning, some sheets with a few pinholes, the reverse of each tape to mount top left, right and centre, each with small pencil inscription to the bottom right corner of verso.
Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front
vertical centrefold with restoration, slight toning, minor rubbing.
Sunset Glow at Atami: True View of Oshima from Atami Harbor
vertical centrefold with restoration, slight soiling particularly around the centre, the bottom right, top right and top left corners taped to mount.
Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River
second edition with additional green overprinting on the bank beside the house, often lacking on other impressions, as well as additional grey bokashi in the water at the lower right, vertical centrefold with restoration, some soiling particularly around the centre of the print as can be seen in the illustration, a few small repairs in places, the reverse with tape residue to top left and right corners.
Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka
very good impression of the second state, second edition, with horizon line omitted, and grey block for the hills in the upper left quadrant re-carved, minor creasing, a few small holes patched from verso, a few minor tears to edges with repairs.
Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara
faint vertical centrefold, small hole in the bottom margin patched from verso.
Returning Sails at Kanazawa: View of Nojima from Seto Bridge
some soiling, foxing and creasing, further foxing to verso.
Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara
very good impression of the first edition with bokashi to the peaks of the distant mountain tops, vertical centrefold with restoration, minor soiling, a few pinholes, a few small holes patched from verso, small repair to bottom left corner.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front
vertical centrefold with restoration, slight toning, minor rubbing.
Sunset Glow at Atami: True View of Oshima from Atami Harbor
vertical centrefold with restoration, slight soiling particularly around the centre, the bottom right, top right and top left corners taped to mount.
Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River
second edition with additional green overprinting on the bank beside the house, often lacking on other impressions, as well as additional grey bokashi in the water at the lower right, vertical centrefold with restoration, some soiling particularly around the centre of the print as can be seen in the illustration, a few small repairs in places, the reverse with tape residue to top left and right corners.
Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka
very good impression of the second state, second edition, with horizon line omitted, and grey block for the hills in the upper left quadrant re-carved, minor creasing, a few small holes patched from verso, a few minor tears to edges with repairs.
Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara
faint vertical centrefold, small hole in the bottom margin patched from verso.
Returning Sails at Kanazawa: View of Nojima from Seto Bridge
some soiling, foxing and creasing, further foxing to verso.
Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara
very good impression of the first edition with bokashi to the peaks of the distant mountain tops, vertical centrefold with restoration, minor soiling, a few pinholes, a few small holes patched from verso, small repair to bottom left corner.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
the complete set of eight woodblock prints, from the series Eight Views of Famous Places (Meisho hakkei), each signed Toyokuni hitsu (Brush of Toyokuni), sealed Utagawa, censor’s seal kiwame (approved), published by Iseya Rihei (Kinjudo), circa 1833-34; each with collector's seal of Gerhard Pulverer to verso, and comprising:
- Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front (Oyama yau, Zen Fudo yori chojo no zu), second edition
- Sunset Glow at Atami: True View of Oshima from Atami Harbor (Atami sekisho, Atami-ga-hama yori Oshima no shinkei), second edition
- Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River (Tamagawa shugetsu, Tamagawa ayukumi no zu), second edition
- Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka (Kamakura bansho, Tsurugaoka yori Boshu yama no zu), second edition
- Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara (Miho rakugan, Sunshu Kiyomizudera Yoshiwara miru enkei), second edition
- Returning Sails at Kanazawa: View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), second edition
- Twilight Snow on Mount Fuji: Complete View of the Back Shrine and the Middle Shrine at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), second edition
- Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara (Enoshima seiran, Koyurugi no iso, Morokoshigahara), first edition
(8)
Each vertical oban:
24.4 x 36.5 cm, 9⅝ by 14⅜ in. (the first)
24.4 x 36.5 cm, 9⅝ by 14⅜ in. (the second)
24.4 x 36.6 cm, 9⅝ by 14⅜ in. (the third)
24.2 x 36.7 cm, 9½ by 14½ in. (the fourth)
24.6 x37.2 cm, 9¾ by 14½ in. (the fifth)
24.4 x 36.2 cm, 9⅝ by 14¼ (the sixth)
24.7 x 37.2 cm, 9¾ by 14⅝ in. (the seventh)
24.4 x 37.3 cm, 9⅝ by 14⅝ in. (the eighth)
来源：Gerhard Pulverer (b. 1930)
展览：Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection], exhibited at the following venues:
Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991
Matsuzakaya Department Store, Ginza, 24th - 29th January 1991
(Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
著录：Narazaki Muneshige, ed., Hizo ukiyo-e taikan, Puruvera korekushon [Ukiyo-e Masterpieces in Western Collections: The Pulverer Collection] (Tokyo, 1990), monochrome pl., nos. 30-37.
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), p. 46, nos. 1-62, 1-63 and 1-64. (Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
图录
说明：In the first edition the series title is written in standard script; in the second edition, it is in semi-cursive script, and there are some other changes in the blocks.
Similar impressions of each print are in the collection of the Museum of Fine Arts, Boston, accession numbers RES.54.170, RES.54.109, 50.427, 50.4049, RES.54.110, RES.54.112, RES.54.113 and 06.1069.
- Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front (Oyama yau, Zen Fudo yori chojo no zu), second edition
- Sunset Glow at Atami: True View of Oshima from Atami Harbor (Atami sekisho, Atami-ga-hama yori Oshima no shinkei), second edition
- Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River (Tamagawa shugetsu, Tamagawa ayukumi no zu), second edition
- Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka (Kamakura bansho, Tsurugaoka yori Boshu yama no zu), second edition
- Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara (Miho rakugan, Sunshu Kiyomizudera Yoshiwara miru enkei), second edition
- Returning Sails at Kanazawa: View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), second edition
- Twilight Snow on Mount Fuji: Complete View of the Back Shrine and the Middle Shrine at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), second edition
- Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara (Enoshima seiran, Koyurugi no iso, Morokoshigahara), first edition
(8)
Each vertical oban:
24.4 x 36.5 cm, 9⅝ by 14⅜ in. (the first)
24.4 x 36.5 cm, 9⅝ by 14⅜ in. (the second)
24.4 x 36.6 cm, 9⅝ by 14⅜ in. (the third)
24.2 x 36.7 cm, 9½ by 14½ in. (the fourth)
24.6 x37.2 cm, 9¾ by 14½ in. (the fifth)
24.4 x 36.2 cm, 9⅝ by 14¼ (the sixth)
24.7 x 37.2 cm, 9¾ by 14⅝ in. (the seventh)
24.4 x 37.3 cm, 9⅝ by 14⅝ in. (the eighth)
来源：Gerhard Pulverer (b. 1930)
展览：Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection], exhibited at the following venues:
Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991
Matsuzakaya Department Store, Ginza, 24th - 29th January 1991
(Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
著录：Narazaki Muneshige, ed., Hizo ukiyo-e taikan, Puruvera korekushon [Ukiyo-e Masterpieces in Western Collections: The Pulverer Collection] (Tokyo, 1990), monochrome pl., nos. 30-37.
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), p. 46, nos. 1-62, 1-63 and 1-64. (Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
图录
说明：In the first edition the series title is written in standard script; in the second edition, it is in semi-cursive script, and there are some other changes in the blocks.
Similar impressions of each print are in the collection of the Museum of Fine Arts, Boston, accession numbers RES.54.170, RES.54.109, 50.427, 50.4049, RES.54.110, RES.54.112, RES.54.113 and 06.1069.
常见问题
拍品的品相状况如何？
Each good impression and colour, comprising one first edition and seven second editions, each with thin paper backing, each with slight trimming to margins (into the censor's and publisher's seals in the left margin), each with slight toning, some sheets with a few pinholes, the reverse of each tape to mount top left, right and centre, each with small pencil inscription to the bottom right corner of verso.
Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front
vertical centrefold with restoration, slight toning, minor rubbing.
Sunset Glow at Atami: True View of Oshima from Atami Harbor
vertical centrefold with restoration, slight soiling particularly around the centre, the bottom right, top right and top left corners taped to mount.
Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River
second edition with additional green overprinting on the bank beside the house, often lacking on other impressions, as well as additional grey bokashi in the water at the lower right, vertical centrefold with restoration, some soiling particularly around the centre of the print as can be seen in the illustration, a few small repairs in places, the reverse with tape residue to top left and right corners.
Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka
very good impression of the second state, second edition, with horizon line omitted, and grey block for the hills in the upper left quadrant re-carved, minor creasing, a few small holes patched from verso, a few minor tears to edges with repairs.
Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara
faint vertical centrefold, small hole in the bottom margin patched from verso.
Returning Sails at Kanazawa: View of Nojima from Seto Bridge
some soiling, foxing and creasing, further foxing to verso.
Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara
very good impression of the first edition with bokashi to the peaks of the distant mountain tops, vertical centrefold with restoration, minor soiling, a few pinholes, a few small holes patched from verso, small repair to bottom left corner.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
Night Rain at Oyama: The Peak Seen from the Fudo Temple in Front
vertical centrefold with restoration, slight toning, minor rubbing.
Sunset Glow at Atami: True View of Oshima from Atami Harbor
vertical centrefold with restoration, slight soiling particularly around the centre, the bottom right, top right and top left corners taped to mount.
Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River
second edition with additional green overprinting on the bank beside the house, often lacking on other impressions, as well as additional grey bokashi in the water at the lower right, vertical centrefold with restoration, some soiling particularly around the centre of the print as can be seen in the illustration, a few small repairs in places, the reverse with tape residue to top left and right corners.
Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka
very good impression of the second state, second edition, with horizon line omitted, and grey block for the hills in the upper left quadrant re-carved, minor creasing, a few small holes patched from verso, a few minor tears to edges with repairs.
Descending Geese at Miho: Kiyomizu Temple of Suruga Province, with a Distant View of Yoshiwara
faint vertical centrefold, small hole in the bottom margin patched from verso.
Returning Sails at Kanazawa: View of Nojima from Seto Bridge
some soiling, foxing and creasing, further foxing to verso.
Clearing Weather at Enoshima: Koyurugi Strand and Morokoshigahara
very good impression of the first edition with bokashi to the peaks of the distant mountain tops, vertical centrefold with restoration, minor soiling, a few pinholes, a few small holes patched from verso, small repair to bottom left corner.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
这件拍品的流传来源是什么？
Gerhard Pulverer (b. 1930)
这件拍品曾在哪些展览中展出过？
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection], exhibited at the following venues:
Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991
Matsuzakaya Department Store, Ginza, 24th - 29th January 1991
(Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991
Matsuzakaya Department Store, Ginza, 24th - 29th January 1991
(Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
这件拍品被哪些著录书籍记载？
Narazaki Muneshige, ed., Hizo ukiyo-e taikan, Puruvera korekushon [Ukiyo-e Masterpieces in Western Collections: The Pulverer Collection] (Tokyo, 1990), monochrome pl., nos. 30-37.
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), p. 46, nos. 1-62, 1-63 and 1-64. (Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
图录
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), p. 46, nos. 1-62, 1-63 and 1-64. (Sunset Glow at Atami: True View of Oshima from Atami Harbor, Autumn Moon of the Jewel River: Netting Whitebait in the Jewel River and Evening Bell at Kamakura: Mountains of Awa Province Seen from Tsurugaoka)
图录
