Lot 197 Katsushika Hokusai (1760-1849) | Fuji View Plain in Owari Province (Bishu Fujimi-ga-hara) | Edo period, 19th century
落槌价
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成交价
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| 拍卖公司 | 苏富比 |
|---|---|
| 拍卖时间 | 2026年06月11日 |
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拍品信息
拍品名称
Katsushika Hokusai (1760-1849) | Fuji View Plain in Owari Province (Bishu Fujimi-ga-hara) | Edo period, 19th century
起拍价
EUR 6,000
估值区间
6,000 - 8,000 EUR
尺寸
未知
品相
Good impression and colour, backed, slight soiling, minor toning, a few slight marks in places, light creasing, some small scattered restorations, a few small fox marks, thinning to paper repaired with backing, the reverse with small pencil annotation to the bottom left corner of verso.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
woodblock print, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), signed Hokusai aratame Iitsu hitsu (Brush of Iitsu, changed from Hokusai), published by Nishimuraya Yohachi (Eijudo), late 1831, blue outline
Horizontal oban: 25.9 x 37.5 cm, 10¼ by 14¾ in.
图录
说明：Through the perfect ellipse of a large wooden barrel under construction, the tiny triangle of Mount Fuji is framed on the distant horizon like a view through a telescope. Harvested rice fields stretch toward the mountain in the middle distance beyond. The barrel-maker kneels intently over his work, planing the wood as if oblivious to the familiar view before him. As so often in this series, Hokusai delights in the craft and skill of ordinary people at work, finding in their tools and trades an unexpected means of framing the sacred mountain.
Fujimigahara [lit. Fuji View Moor] lay on the road between Nagoya and the Atsuta Shrine and is now part of Fujimicho in the centre of modern-day Nagoya.
Another impression of the same print is in the collection of the Metropolitan Museum of Art (The MET), accession number JP19, go to:
https://www.metmuseum.org/art/collection/search/60000595
For a further impression in the collection of the Museum of Fine Arts, Boston, accession number 34.311, go to:
https://collections.mfa.org/objects/246308
Horizontal oban: 25.9 x 37.5 cm, 10¼ by 14¾ in.
图录
说明：Through the perfect ellipse of a large wooden barrel under construction, the tiny triangle of Mount Fuji is framed on the distant horizon like a view through a telescope. Harvested rice fields stretch toward the mountain in the middle distance beyond. The barrel-maker kneels intently over his work, planing the wood as if oblivious to the familiar view before him. As so often in this series, Hokusai delights in the craft and skill of ordinary people at work, finding in their tools and trades an unexpected means of framing the sacred mountain.
Fujimigahara [lit. Fuji View Moor] lay on the road between Nagoya and the Atsuta Shrine and is now part of Fujimicho in the centre of modern-day Nagoya.
Another impression of the same print is in the collection of the Metropolitan Museum of Art (The MET), accession number JP19, go to:
https://www.metmuseum.org/art/collection/search/60000595
For a further impression in the collection of the Museum of Fine Arts, Boston, accession number 34.311, go to:
https://collections.mfa.org/objects/246308
常见问题
拍品的品相状况如何？
Good impression and colour, backed, slight soiling, minor toning, a few slight marks in places, light creasing, some small scattered restorations, a few small fox marks, thinning to paper repaired with backing, the reverse with small pencil annotation to the bottom left corner of verso.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
