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A small celadon-glazed jar and cover
Seal mark and period of Yongzheng
清雍正 冬青釉帶蓋小水盂
《雍正年製》款
w. 7.1 cm
展览:Exhibition of Ancient Chinese Antiquities, Historical Research Commission of Taiwan Province, Taiwan Provincial Museum (now Taiwan Museum), and Chinese Ancient Ceramics Research Society, Taipei, 14-24 June 1954.
臺灣省文獻委員會、臺灣省立博物館(今臺灣博物館)及中華古瓷研究社,「中華古代文物展覽會」,台北,1954年6月14 - 24日
图录
说明:This vessel is attractive for not only its cool celadon glaze which resonances the finest Song (960-1279) prototypes, but also its harmonious proportion and delightful size which appear to be exceedingly rare during the Yongzheng period (1723-35). Water pots of this charming form were intended for use at the scholar’s desk, with the indent on the raised lip purposefully designed for receiving a spoon. The Yongzhen Emperor appears to have been particularly fond of small water pots. According to the Qinggong Neiwufu Zaobanchu dangan / Archival Records from the Qing Imperial Household Department Workshop, water pots of various form were ordered by imperial decree in the seventh year of Yongzheng reign (1729), including a few pieces in ‘winter green’ glaze, which may well refer to the present piece, with a special requirement to have them meticulously made.
Compare two pieces of closely related shape but with a large-scale overall crackle; a guan-type water pot covered with an opaque light blue-green glaze, preserved in the Palace Museum, Beijing (accession no. gu-148531); the other, a guan-type vessel almost identical to the Palace Museum’s piece, formerly in the Meiyintang Collection, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 4 (II), 2010, London, pl. 1799, recently sold at Beijing Poly, 6th June 2017, lot 5002. This rare form continued to be produced in the Qianlong period (17336-95), as evidenced by an example in the Palace Museum, Beijing (accession no. gu-152675), but decorated with formal flower scrolls in yangcai enamels, illustrated in Kangxi, Yongzheng, Qianlong: Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p. 370, pl. 51.
此器引人入勝之處,不僅在於其青釉清雅溫潤,遙呼宋代(960-1279)名窰遺風,更在於其比例勻稱,小巧盈握,此等形制於雍正一朝(1723-1735)實屬極為罕見。此類造型精巧之水丞乃文房案頭之物,口沿微凸並帶凹槽,乃特為擱置小勺而設。雍正帝對小巧精緻之水丞似情有獨鍾。據《清宮內務府造辦處檔案》載,雍正七年(1729)曾奉旨燒造各式水丞,當中包括數件「冬青」釉者,或即指本品,並特旨要求製作必須精細。
比較兩件器形相近但通體開大片紋之作:一為北京故宮博物院蓄之仿官釉水丞,罩失透淺青綠釉(藏品編號:故-148531);另一件仿官釉器與故宮藏品幾近一致,原為玫茵堂舊藏,載於康蕊君,《玫茵堂中國陶瓷》,卷4(II),倫敦,2010年,圖版1799,後售於北京保利2017年6月6日,編號5002。此罕見器形於乾隆一朝(1736-1795)仍有燒造,可參考北京故宮博物院藏一例(藏品編號:故-152675),然其飾以洋彩纏枝花卉紋,載於《故宮珍藏康雍乾瓷器圖錄》,香港,1989年,頁370,圖版51。