拍品名称
Attributed to Hon’ami Koetsu (1558–1637) (calligraphy) and Tawaraya Sotatsu (1570–1643) (underpaintings), Willow and waves, Momoyama – Edo period, early 17th century | 本阿弥光悦書・俵屋宗達下絵 萩下絵和歌色紙 ほととぎす 桃山時代末期~江戸時代初期 17世紀初頭
品相
Some slight wear to the blue pigment and with associated touching-in in places, some minor wear to edges, a few small scattered restorations, some slight toning to the paper surround, the silk mount with some wear to the upper and lower sections, the scroll ends have been removed.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
poem card (shikishi): ink, colour and gold on paper, inscribed with the Hotogisu [cuckoo] poem from the poem anthology New Collection of Poems Ancient and Modern (Shin kokin wakashu), silk brocade border, accompanied with a fitted wood storage box with inscription by Nakamura Tanio
18.3 x 16 cm.
展览:Rimpa han to kata no tenkai [Rimpa: Splendour of Prints and Designs], Machida City Museum of Graphic Arts, Tokyo, 1992, cat. no. 21.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 6.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 4.
图录
说明:木盒書中村渓男(1921–2001年)題識
Trailing fronds of willow overhang waves rendered in gold pigment on a blue ground. Sotatsu’s underpainting is embellished with a waka poem by Koetsu’s elegant hand. The poem is by the Retired Emperor Shirakawa (1053-1129), included in the Shin kokin wakashu [New Collection of Poems Ancient and Modern], Book Three, Summer Section. The poem has been translated by Laurel Rasplica Rodd in Shinkokinshu: New Collection of Poems Ancient and Modern (Leiden, 2015), p. 89, no. 198:
lonely nightingale
still yearning still tentative
your muted cries heard
by no one but I who wait
for someone who does not come
hototogisu
mada uchitokenu
shinobine ha
kono hito wo matsu
ware nomi zo kiku
展覽
《琳派 版と型の展開》,町田市立国際版画美術館,東京,1992年,編號21
《琳派名品展》,三越(日本橋),東京,2015年,編號6
《琳派の精華》,岡田美術館,箱根,2015年,編號4
木盒書中村溪男(1921–2001年)題識
藍底之上以金泥繪就波浪,垂柳枝蔓輕拂水面。宗達所作之底畫,配以光悅清雅流麗之筆跡揮毫和歌,相得益彰。此和歌乃白河院(1053–1129年)所作,收錄於《新古今和歌集》卷三「夏歌」。其英譯本見於 Laurel Rasplica Rodd 著,《Shinkokinshu: New Collection of Poems Ancient and Modern》(萊頓,2015年),頁89,編號198:
漢譯:
杜鵑啼聲猶未放,
幽咽低吟暗自傷。
苦候不至人未還,
唯我獨聞此悲音。