Lot 311Y 十八/十九世紀 瑪瑙巧雕伯樂相馬圖鼻煙壺 | A CHALCEDONY SHADOW AGATE 'BO LE AND HORSE' SNUFF BOTTLE
落槌价
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成交价
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| 拍卖公司 | 邦瀚斯 |
|---|---|
| 拍卖时间 | 2026年05月18日 |
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拍品信息
拍品名称
十八/十九世紀 瑪瑙巧雕伯樂相馬圖鼻煙壺 | A CHALCEDONY SHADOW AGATE 'BO LE AND HORSE' SNUFF BOTTLE
起拍价
GBP 800
估值区间
未知
尺寸
未知
品相
未知
更多信息
18th/19th century
The rounded square body rising from a short foot to a cylindrical neck, the honey-toned stone mottled throughout with brown inclusions, the darker ones on the front side creatively used to depict a figure, likely Bo Le, approaching a horse by a wind-blown willow tree, stopper. 6.1cm (2 3/8in) high. (2).
Footnotes
The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.JXVEQTF5
該批次中含有象牙的物品已根據《象牙法案》（章節10）註冊Ref.JXVEQTF5
十八/十九世紀 瑪瑙巧雕伯樂相馬圖鼻煙壺
Provenance: Trudy and John Cohen, collection no.B44, acquired in the 1980s.
來源：Trudy及John Cohen伉儷，藏品編號B44，獲得於1980年代
Bo Le (伯樂) was a horse tamer for Duke Mu of Qin (秦穆公, r. 659–621 BC), immortalised in 3rd-century BCE classics such as the (吕氏春秋), the (莊子), and the (淮南子) for his discerning eye for exceptional horses. He thus came to symbolise talent recognition, particularly the identification of ability for government service during the Qing dynasty.
The rounded square body rising from a short foot to a cylindrical neck, the honey-toned stone mottled throughout with brown inclusions, the darker ones on the front side creatively used to depict a figure, likely Bo Le, approaching a horse by a wind-blown willow tree, stopper. 6.1cm (2 3/8in) high. (2).
Footnotes
The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.JXVEQTF5
該批次中含有象牙的物品已根據《象牙法案》（章節10）註冊Ref.JXVEQTF5
十八/十九世紀 瑪瑙巧雕伯樂相馬圖鼻煙壺
Provenance: Trudy and John Cohen, collection no.B44, acquired in the 1980s.
來源：Trudy及John Cohen伉儷，藏品編號B44，獲得於1980年代
Bo Le (伯樂) was a horse tamer for Duke Mu of Qin (秦穆公, r. 659–621 BC), immortalised in 3rd-century BCE classics such as the (吕氏春秋), the (莊子), and the (淮南子) for his discerning eye for exceptional horses. He thus came to symbolise talent recognition, particularly the identification of ability for government service during the Qing dynasty.
