Lot 345 清晚期 文官補子三種 | Three Chinese 'Mandarin Duck' Rank Badges, 19th Century

清晚期 文官補子三種 | Three Chinese 'Mandarin Duck' Rank Badges, 19th Century

19th Century

未知

$2,000 - $4,000

Largest 11 13/16 x 12 3/8 in., 30 x 31.5 cm.

未知

The first badge, likely from the Daoguang period (1821-1850), embroidered to depict a mandarin duck gazing up at a red sun while standing on rockwork emerging from foaming waves with Buddhist Emblems hidden in the waters, enclosed by lingzhi fungus, flowering branches, fruiting peaches, flying bats, and ruyi clouds, within a key-fret border; the second, also likely from the Daoguang period, embroidered in seed stitch with similar decoration; the third, likely from the Guangxu period (1875-1908), worked in counted stitch on gauze appliqué, depicting the bird perched on rockwork above waves, facing a red sun enclosed by clusters of clouds.
Property from the Collection of Jon Eric Riis, Atlanta, Georgia
Provenance:
Property from the Collection of Jon Eric Riis, Atlanta, Georgia.
Comprising over 20 lots, this selection from the collection of Jon Eric Riis spans Chinese textiles and jade scholar's objects to Korean rank badges and paintings, assembled over decades of extensive travel across Asia.
Widely recognized as one of the nation's leading contemporary tapestry artists and a connoisseur of textiles, Riis developed a deep appreciation for ethnographic art during his childhood in Chicago, later formalizing his studies at The Art Institute of Chicago and the Cranbrook Academy of Art. Following a 1970 Fulbright Scholarship to India to study indigenous textiles, he headed the Crafts Program at Georgia State University. After 25 years of creating major commissioned works for corporate and public spaces, Riis shifted his focus in the early 1990s entirely to his own fine art practice.
Today, his intricately woven tapestries, noted for their textured interplay of silk, metallic threads, and hand-stitched beadwork, are held in the permanent collections of The Metropolitan Museum of Art, The Art Institute of Chicago, and the Smithsonian’s Renwick Gallery. His mastery of the medium was further recognized with a 2011 United States Artists (USA) Windgate Fellowship in Craft, an honor he traveled to Los Angeles to accept at the Getty Museum. This profound technical understanding of historic craftsmanship is evident throughout his personal collection. The property offered this season presents a unique opportunity to acquire Asian works of art vetted by the discerning eye of a master artist.
來源：
喬治亞州亞特蘭大市Jon Eric Riis先生藏。
Jon Eric Riis先生（以下簡稱里斯）美國當代掛毯藝術家。對民族藝術情有獨鍾的他成長於芝加哥，深造於芝加哥藝術學院和克蘭布魯克藝術學院。1970年獲富布賴特獎學金赴印度研究紡織品，後擔任喬治亞州立大學工藝系主任。1990年代，在為企業與公共空間創作了二十五年之後，完全轉向個人創作。
他的手工藝術掛毯已被紐約大都會藝術博物館、芝加哥藝術學院和史密森尼倫威克美術館永久收藏。2011年，他榮獲美國藝術家（USA）Windgate工藝獎並赴洛杉磯蓋蒂博物館受獎。
里斯對傳統工藝的深刻理解充分體現在他的個人收藏。本場釋出二十餘件拍品涵蓋中韓織繡、玉雕文房，皆為幾十年間遊歷亞洲所得，慧眼挑選，請大家把握良機。
以下内容由AI翻译：
【名称】
清晚期 文官補子三種
【年代】
十九世纪
【描述】
第一枚补子，可能来自道光时期（1821-1850），绣有一只鸳鸯仰望红日，立于波涛中的岩石上，水中隐藏着八吉祥，周围饰以灵芝、花枝、结果的桃树、飞翔的蝙蝠和如意云纹，边缘饰以回纹；第二枚补子，也可能是道光时期的，用打籽绣绣有类似的图案；第三枚补子，可能来自光绪时期（1875-1908），用计数绣法在纱上贴绣，描绘鸟儿立于波涛中的岩石上，面对红日，周围环绕着云朵。
来自乔恩·埃里克·里斯收藏，佐治亚州亚特兰大