Lot 356 十九世紀晚期 朝鮮王朝文官鶴紋補子一對及越南鶴紋補子 | A Pair of Korean Embroidered Silk 'Double Crane' Rank Badges and a Vietnamese Salmon Pink Ground Embroidered Silk 'Crane' Rank Badge, Late 19th...

十九世紀晚期 朝鮮王朝文官鶴紋補子一對及越南鶴紋補子 | A Pair of Korean Embroidered Silk 'Double Crane' Rank Badges and a Vietnamese Salmon Pink Ground Embroidered Silk 'Crane' Rank Badge, Late 19th...

Late 19th Century

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$1,500 - $2,500

Larger 10 7/16 x 10 13/16 in., 26.5 x 27.5 cm.

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The pair of Korean badges each intricately woven to depict a pair of flying cranes bearing lingzhi sprigs in their beaks, gracefully surrounded by auspicious clouds above soaring mountain peaks and crashing waves, enclosed within a border of flying bats; the single Vietnamese badge finely worked to depict a crane gracefully perched atop rockwork grasping a peach branch, amidst ribbon-tied Daoist Emblems, auspicious clouds, and bats, all above rushing waves and elegantly reserved against a salmon-pink ground.
Property from the Collection of Jon Eric Riis, Atlanta, Georgia
Provenance:
Property from the Collection of Jon Eric Riis, Atlanta, Georgia.
Comprising over 20 lots, this selection from the collection of Jon Eric Riis spans Chinese textiles and jade scholar's objects to Korean rank badges and paintings, assembled over decades of extensive travel across Asia.
Widely recognized as one of the nation's leading contemporary tapestry artists and a connoisseur of textiles, Riis developed a deep appreciation for ethnographic art during his childhood in Chicago, later formalizing his studies at The Art Institute of Chicago and the Cranbrook Academy of Art. Following a 1970 Fulbright Scholarship to India to study indigenous textiles, he headed the Crafts Program at Georgia State University. After 25 years of creating major commissioned works for corporate and public spaces, Riis shifted his focus in the early 1990s entirely to his own fine art practice.
Today, his intricately woven tapestries, noted for their textured interplay of silk, metallic threads, and hand-stitched beadwork, are held in the permanent collections of The Metropolitan Museum of Art, The Art Institute of Chicago, and the Smithsonian’s Renwick Gallery. His mastery of the medium was further recognized with a 2011 United States Artists (USA) Windgate Fellowship in Craft, an honor he traveled to Los Angeles to accept at the Getty Museum. This profound technical understanding of historic craftsmanship is evident throughout his personal collection. The property offered this season presents a unique opportunity to acquire Asian works of art vetted by the discerning eye of a master artist
來源：
喬治亞州亞特蘭大市Jon Eric Riis先生藏。
Jon Eric Riis先生（以下簡稱里斯）美國當代掛毯藝術家。對民族藝術情有獨鍾的他成長於芝加哥，深造於芝加哥藝術學院和克蘭布魯克藝術學院。1970年獲富布賴特獎學金赴印度研究紡織品，後擔任喬治亞州立大學工藝系主任。1990年代，在為企業與公共空間創作了二十五年之後，完全轉向個人創作。
他的手工藝術掛毯已被紐約大都會藝術博物館、芝加哥藝術學院和史密森尼倫威克美術館永久收藏。2011年，他榮獲美國藝術家（USA）Windgate工藝獎並赴洛杉磯蓋蒂博物館受獎。
里斯對傳統工藝的深刻理解充分體現在他的個人收藏。本場釋出二十餘件拍品涵蓋中韓織繡、玉雕文房，皆為幾十年間遊歷亞洲所得，慧眼挑選，請大家把握良機。
以下内容由AI翻译：
【名称】
十九世紀晚期 朝鮮王朝文官鶴紋補子一對及越南鶴紋補子
【年代】
十九世纪晚期
【描述】
一对朝鲜补子每件均精细编织，描绘一对飞翔的鹤口中衔着灵芝枝，周围环绕着吉祥云彩，上方是高耸的山峰和汹涌的波浪，边缘饰有飞蝠；单件越南补子精细地描绘了一只鹤优雅地栖息在岩石上，抓着一根桃树枝，周围是系有丝带的道教符号、吉祥云彩和蝙蝠，下方为汹涌波涛，所有图案都位于鲑鱼粉色底色之上。
来自乔恩·埃里克·里斯（Jon Eric Riis）收藏，佐治亚州亚特兰大