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Lot 2148 Anonymous, Chapters Fourteen and Sixteen from the Tale of Genji (Genji monogatari), Sealed I’nen, Edo period, 17th century |源氏物語図屏風 伊年印 江戸時代前期 17世紀中頃

冈田美术馆藏亚洲艺术珍品 (二)| Masterpieces of Asian Art from the Okada Museum of Art II
落槌价
预展中
成交价
预展中
拍卖公司苏富比
拍卖时间2026年09月04日
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拍品信息

拍品名称
Anonymous, Chapters Fourteen and Sixteen from the Tale of Genji (Genji monogatari), Sealed I’nen, Edo period, 17th century |源氏物語図屏風 伊年印 江戸時代前期 17世紀中頃
起拍价
HKD 200,000
估值区间
200,000 - 300,000 HKD
尺寸
未知
品相
Overall, the screens are in good condition, most Japanese screens have some restoration by the nature of their use being opened and closed repeatedly, there is some wear around the hinges consistent with age and use, some uneven toning, minor soiling, repairs around the hinges as is typical, some minor losses to pigments and wear to the surface in places, with associated re-touching to the gold ground and pigments, a few small holes and associated scattered repairs in places, slight oxidisation to the silver pigments, the black lacquer mounts with a few minor dents and surface marks.

If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
pair of six-panel folding screens: ink, colour, gold, silver and gofun on paper, sealed I’nen, silk brocade border, black lacquer mounts, pierced, chased and engraved copper-gilt fittings
118 x 291 cm. (when unfolded)
118 x 48.5 cm. (when folded)
展览:Sotatsu, Matsuzakaya, Osaka, 1966, cat. no. 12.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 8.
著录:Yuzo Yamane ed., Rimpa kaiga zenshu, Sotatsu-ha II [Paintings of Rimpa: Sotatsu School II], vol. II, Tokyo, 1977, pl. 5.
图录
说明:展覽
《宗達》, 松坂屋(大阪),大阪,1966年,編號12
《琳派の精華》,岡田美術館,箱根,2015年,編號8
出版
山根有三,《琳派絵画全集:宗達派2》,卷2,東京,1977年,圖版5

常见问题

这件Anonymous, Chapters Fourteen and Sixteen from the Tale of Genji (Genji monogatari), Sealed I’nen, Edo period, 17th century |源氏物語図屏風 伊年印 江戸時代前期 17世紀中頃的成交价是多少?
落槌价为 预展中。 成交价为 预展中。
拍品的品相状况如何?
Overall, the screens are in good condition, most Japanese screens have some restoration by the nature of their use being opened and closed repeatedly, there is some wear around the hinges consistent with age and use, some uneven toning, minor soiling, repairs around the hinges as is typical, some minor losses to pigments and wear to the surface in places, with associated re-touching to the gold ground and pigments, a few small holes and associated scattered repairs in places, slight oxidisation to the silver pigments, the black lacquer mounts with a few minor dents and surface marks.

If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
这件拍品曾在哪些展览中展出过?
Sotatsu, Matsuzakaya, Osaka, 1966, cat. no. 12.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 8.
这件拍品被哪些著录书籍记载?
Yuzo Yamane ed., Rimpa kaiga zenshu, Sotatsu-ha II [Paintings of Rimpa: Sotatsu School II], vol. II, Tokyo, 1977, pl. 5.
图录