Lot 8 尼泊爾 十五/十六世紀 因陀羅銅像 | A COPPER ALLOY FIGURE OF INDRA
落槌价
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成交价
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拍品信息
拍品名称
尼泊爾 十五/十六世紀 因陀羅銅像 | A COPPER ALLOY FIGURE OF INDRA
年代
NEPAL, 15TH/16TH CENTURY
起拍价
HKD 20,000
估值区间
未知
尺寸
未知
品相
未知
更多信息
NEPAL, 15TH/16TH CENTURY
With traces of gilding.
Himalayan Art Resources item no. 61526
11.1 cm (4 1/4 in.) high
Footnotes
尼泊爾 十五/十六世紀 因陀羅銅像
Published
Roberto Vitali, Arte Himalayana, Eskenazi, Milan, 1979, no. 13.
Christophe Hioco, Exhibition Catalogue, Paris, 2016, pp. 8-9.
Provenance
Private Collection, Germany
Christie's, Paris, 11 June 2014, lot 373
Christophe Hioco, Paris, November 2016
The Maitri Collection
Indra, the Vedic king of gods and god of thunder and war, was renowned for slaying the serpent Vritra and releasing life-giving waters. With the rise of Buddhism, he was transformed into a dharma-protecting deity and lord of Trayastrimsa Heaven. He is shown seated in with his right arm resting on his knee in a relaxed pose. A lotus stalk rises to his left shoulder supporting a vajra. He wears a diaphanous patterned , beaded necklaces, and a crown. His face is gently modeled in a serene expression with a delicately incised third eye, downcast eyes and mouth set in a slight smile. A related gilded example attributed to the 16th century is held in the Rubin Museum of Art, New York (C2005.16.44; HAR 55467).
With traces of gilding.
Himalayan Art Resources item no. 61526
11.1 cm (4 1/4 in.) high
Footnotes
尼泊爾 十五/十六世紀 因陀羅銅像
Published
Roberto Vitali, Arte Himalayana, Eskenazi, Milan, 1979, no. 13.
Christophe Hioco, Exhibition Catalogue, Paris, 2016, pp. 8-9.
Provenance
Private Collection, Germany
Christie's, Paris, 11 June 2014, lot 373
Christophe Hioco, Paris, November 2016
The Maitri Collection
Indra, the Vedic king of gods and god of thunder and war, was renowned for slaying the serpent Vritra and releasing life-giving waters. With the rise of Buddhism, he was transformed into a dharma-protecting deity and lord of Trayastrimsa Heaven. He is shown seated in with his right arm resting on his knee in a relaxed pose. A lotus stalk rises to his left shoulder supporting a vajra. He wears a diaphanous patterned , beaded necklaces, and a crown. His face is gently modeled in a serene expression with a delicately incised third eye, downcast eyes and mouth set in a slight smile. A related gilded example attributed to the 16th century is held in the Rubin Museum of Art, New York (C2005.16.44; HAR 55467).
