Lot 264 元錫；宋晉；馮培元；許彭壽；莫兆文；英和；史評；慕維德；單懋謙；王景淳；馮譽驥；蕭浚蘭；周學𣿰；杜堮；龔自閎；馬儀清；孫毓溎 | YUANXI (active 18th–19th century); SONG JIN (active 19th century); FENG PEIYUAN (1815–1853); XU PENGSHOU (1821–1866); MO ZHAOWEN (c.1790s-1840s); YINGHE (1771–1840); SHI PING (1778–1837); MU WEIDE (1779–1840); SHAN MAOQIAN (1807–1879); WANG JINGCHUN (1814-1878); FENG YUJI (1822–1883); XIAO JUNLAN (1822–1873); ZHOU XUEJUN (1810–1858); DU E (1764-1859); GONG ZIHONG (1819-1879); MA YIQING (1822-1900); SUN YUYAN (1803-1867)
落槌价
预展中
成交价
预展中
| 拍卖公司 | 邦瀚斯 |
|---|---|
| 拍卖时间 | 2026年11月02日 |
拍品信息
拍品名称
元錫；宋晉；馮培元；許彭壽；莫兆文；英和；史評；慕維德；單懋謙；王景淳；馮譽驥；蕭浚蘭；周學𣿰；杜堮；龔自閎；馬儀清；孫毓溎 | YUANXI (active 18th–19th century); SONG JIN (active 19th century); FENG PEIYUAN (1815–1853); XU PENGSHOU (1821–1866); MO ZHAOWEN (c.1790s-1840s); YINGHE (1771–1840); SHI PING (1778–1837); MU WEIDE (1779–1840); SHAN MAOQIAN (1807–1879); WANG JINGCHUN (1814-1878); FENG YUJI (1822–1883); XIAO JUNLAN (1822–1873); ZHOU XUEJUN (1810–1858); DU E (1764-1859); GONG ZIHONG (1819-1879); MA YIQING (1822-1900); SUN YUYAN (1803-1867)
年代
An album of thirteen calligraphic fans
起拍价
GBP 3,000
估值区间
GBP 3000 - 5000
尺寸
未知
品相
未知
更多信息
An album of thirteen calligraphic fans
Ink on paper and silk, mounted.
Each approx. 51cm (20in) high x 18cm (7 1/8in) wide.
Footnotes
元錫；宋晉；馮培元；許彭壽；莫兆文；英和；史評；慕維德；單懋謙；王景淳；馮譽驥；蕭浚蘭；周學𣿰；杜堮；龔自閎；馬儀清；孫毓溎
扇面冊頁十三開 水墨紙本及絹本
〈一〉款識：上清真人當吾前黃裳子丹氣頻煩借問何在兩眉端內俠日月列宿陳七曜九元冠生門三關之中精氣深九微之內幽且陰口為天關精神機足為地關生命扉手為人關把盛衰若得三官存玄丹太一流珠安崐崙重中樓閣十二環自高自下皆真人玉堂絳宇盡玄宮璇璣玉衡色琅玕瞻望童子坐盤桓問誰家子在我身此人何去入泥丸千千百百自相連癸亥槐夏筠巢偶臨
鈐印：「鍾麐」「杜䎗」「牽舫」
〈二〉款識：說文曰竹冬生草象形下者説文曰...竹嶰谷其後唯此篨見珍故俗呼此山謂之鼓吹山右徐堅初學記。臣英和敬書（《初學記》卷十八〈竹部〉）
鈐印：「臣英和」「敬書」「渤海」「杜氏石畫龕圖書之印」
〈三〉款識：又有天祿石渠典籍...西都賦應筠巢賢姪坦屬松軒史評（《西都賦》）
鈐印：「史」「評」
〈四〉款識：夫自天觀象昏旦之刻...是惟熙載節刻漏銘應書農三兄同年屬即希正之如山弟慕維德（《新刻漏銘》卷五十六〈文選〉）
鈐印：「維」「德」
〈五〉款識：公相人也世有令德為時名卿自公少時已擢高科登顯仕海內之士聞下...作晝錦之堂於後圃既又刻詩於石。繼園大兄大人雅正弟單懋謙（《相州晝錦堂記》）
鈐印：「埊山」
〈六〉款識：溫潤成性夙擅雕龍之採行已窮於六本蘊德包於四科臨為。筠巢年老前輩大人正。晚王景淳
鈐印：「景淳」
款識：鐘毓山川稟靈象緯幻而風韻開爽志節通亮弓彈百步之奇劔敵萬人之氣以村官入選。筠巢年老前輩大人正。晚馮譽驥
鈐印：「譽驥」
款識：乃正始明道詩雜仙心何晏之徒率多浮淺唯嵇志清峻阮旨遙深。故能標焉乙巳夏日奉。筠巢年老前輩大人正晚蕭浚蘭
鈐印：「浚」「蘭」
款識：下帳從志含臺擅奇採學肆之珠玉價倍梁楚伐翰林之杞梓林高。廊廟臨率更書。筠巢年老前輩大人正。晚周學𣿰
鈐印：「𣿰印」「縵雲」
〈七〉款識：董元宰雲王右丞畫餘從檇李項氏見釣雪圖盈尺而已絕無皴法石田所謂草樹淩競人局脊者最後得山水小幀頗類營丘而高簡過之又於長安楊高郵所見山居圖則筆法類大李有宣和御題皆不如江山雪霽圖。青友前芽大人。教正。館後學杜堮
鈐印：「臣杜堮章」「次厓氏」「與古為新」
〈八〉款識：楚國詞人御蘭芬於絕代漢朝才子綜鞶帨於遙年筠巢老前輩年世大人政待龔自閎
鈐印：「自閎」
款識：殷后華宗名卿胄系人物代德衣冠重世逢時翼主膺朝佐帝運榮經綸執鈞匡濟節皇甫碑筠巢年老前輩大人正待馮培元
款識：至於長洲之濱故城之垤曹孟德孫仲謀所睥睨周瑜陸遜所馳騖其流風遺跡驚愕世俗筠巢年老前輩大人正待馬儀清
鈐印：「芸」「湖」
款識：若夫四言正體則雅潤為本五言流調則清麗居宗筠巢仁弟老前輩大人正孫毓溎
鈐印：「梧江」
款識：其清若鏡味甘如體南注丹霄之右東流度如雙闕貫穿青瑣縈帶紫房奉筠巢老前輩年大人正待宋晉
鈐印：「宋晉」
〈九〉款識：餘幼年稽古之暇黨喜讀屈大夫所著離騷經今老矣猶時刻手之不但記其昌辭正以其竭忠盡力凜然有囯士之目每振冠斂衽如見其人凡芳艸卉木一經品題者謂可起敬者也因按爾雅神農書所載根苗花葉之相亂也名實之異同也悉元元本本分別部居次之於槧會萃成書區別之以目夫樧似樹蕭艾似繁與夫紫鞠之似蘭及已之似若猶佞之於忠鄉原之於德也得是書形見色屈或庶幾焉舉無以亂其真昔劉杳為草木疏二卷見於本傳今其書不僅有於簡篇矣戊申四月書奉。繼園仁兄大人同年大方家𢫦謬。小弟馮培元
鈐印：「馮培元印」「小亭」
〈十〉款識：是日也天朗氣清惠風和暢仰觀宇宙之大俯察品類之盛...倦情隨事遷感慨系之矣。右完武蘭亭古本夲章異國文完郝公家舊物也公之嗣子恭政初學翁取愚古錞于一遂以此見惠時公有三本皆是一石所拓沒皆以遺人其達如此炳記筠巢年伯大人鑒正姪許彭壽（《蘭亭集序》）
鈐印：「壽」「印」
〈十一〉款識：穉燕啣新綠憨鶯啄瘦紅曉來蘭徑露華濃花倚春人人倚畫闌風試黛三分褪添衣一晌慵自携雲縠掩湘櫳不管鞦韆閒在翠炯中南歌子畫漿春潮有幾個傷心才子想當日控孫百萬陳雲紫寶劍芒爭紅燭影玉笙詞怨黃花水讓金焦終古閲興亾雙雙峙衛叔寳蒼茫意祖士雅英雄淚更銅琶鉄撲驪龍驚睡天塹何湏南北限江流只共年華逝聼寺樓纔打一聲鐘風吹起滿江紅暫停了焦桐弦柱指上泠水流難駐玉埒嘶風送君還覓送春處幾條楊柳偏解得留君住卻聼子規聲苦道是不如歸去凝佇儘襟前袖底寫滿倦棕零緒吟身似燕問明日舊巢誰侶還只怕一點離蒐迩鞭影低搖殘雨囑卸了征帆為訊東湖鷗鷺長亭怨慢海門梧葉秋聲句為繼園大兄大人屬錄弟元錫
鈐印：「元錫」「仙蕃」
〈十二〉款識：觀自在菩薩行深般若波羅密多時照見...菩提薩婆訶般若波羅密多心經。道光十有五年歲在旃蒙協洽皋月之望敬書心經一藏於蒲坂縣署之止吉祥齋恭呈。芝農先生大人誨捥莫兆文謹識（《般若波羅蜜多心經》）
鈐印：「莫兆文印」「文在其手」
〈十三〉款識：李伯時效唐小李將軍為著色泉石雲物草木花竹皆絕妙動人...名動四夷後之攬者不獨圖畫之可觀亦足仿佛其人耳。芾。道光戊申夏四月二十九日臨舊藏孔穀園先生墨蹟奉宗伯太老夫子大人鈞誨玉虹樓主人不規規刻畫襄陽而自有一種後逸不群之氣未能追蹤百一昌盛愧悚。門下晚生許彭壽謹呈（《西園雅集》）
鈐印：「壽」「印」「芸皋墨緣」「師竹」
Dr Joseph McDermott (1945-2022), Cambridge, acquired in Japan in the 1980s
Emeritus Reader in Chinese History and Fellow at St John's College, University of Cambridge, Joseph McDermott's (1945-2022) research focused on Chinese social, economic, and cultural history, mainly during the Song, Yuan, and Ming dynasties. A gifted linguist and a generous scholar, McDermott was known for his enduring commitment to Sino-Western academic exchange. His painting collection was mostly acquired in Japan in the 1980s.
This album of thirteen calligraphic fans brings together top scholar-officials of the late Qing dynasty. One of the most important figures represented is Yinghe (1771–1840), a Manchu bannerman and Associate Grand Secretary whose calligraphy was ranked alongside Prince Cheng and Liu Yong, though his career was nearly ended by exile after an Imperial tomb scandal. Shan Maoqian (1807–1879) rose to Grand Secretary of the Wenyuan Pavilion, serving under four Emperors' reigns, while Feng Yuji (1822–1883), a Lingnan child prodigy who served as governor of Shaanxi before being impeached and dismissed in 1883. Song Jin (1802–1874) is remembered for petitioning against the Fuzhou Shipyard, and Xu Pengshou (1821–1866), son of Grand Secretary Xu Naipu, helped settle ritual protocol after the Xianfeng Emperor's death.
Among the other contributors, Feng Peiyuan (1815–1853) placed third in the 1844 examination and drowned himself rather than surrendering to Taiping forces. Mo Zhaowen (d. 1840s) was a Hainan magistrate so beloved that villagers carried his coffin home in a journey spanning over a year. Xiao Junlan (1822–1873) composed a couplet for the rebuilt Tengwang Pavilion and Zhou Xuejun (1810–1858) contributed to the iconic 'Nine Friends of Painting' scroll at the Songyun Temple in Beijing. Mu Weide (1779–1840) served as prefect of Tingzhou before becoming Vice Minister of the Court of Imperial Entertainments.
Ink on paper and silk, mounted.
Each approx. 51cm (20in) high x 18cm (7 1/8in) wide.
Footnotes
元錫；宋晉；馮培元；許彭壽；莫兆文；英和；史評；慕維德；單懋謙；王景淳；馮譽驥；蕭浚蘭；周學𣿰；杜堮；龔自閎；馬儀清；孫毓溎
扇面冊頁十三開 水墨紙本及絹本
〈一〉款識：上清真人當吾前黃裳子丹氣頻煩借問何在兩眉端內俠日月列宿陳七曜九元冠生門三關之中精氣深九微之內幽且陰口為天關精神機足為地關生命扉手為人關把盛衰若得三官存玄丹太一流珠安崐崙重中樓閣十二環自高自下皆真人玉堂絳宇盡玄宮璇璣玉衡色琅玕瞻望童子坐盤桓問誰家子在我身此人何去入泥丸千千百百自相連癸亥槐夏筠巢偶臨
鈐印：「鍾麐」「杜䎗」「牽舫」
〈二〉款識：說文曰竹冬生草象形下者説文曰...竹嶰谷其後唯此篨見珍故俗呼此山謂之鼓吹山右徐堅初學記。臣英和敬書（《初學記》卷十八〈竹部〉）
鈐印：「臣英和」「敬書」「渤海」「杜氏石畫龕圖書之印」
〈三〉款識：又有天祿石渠典籍...西都賦應筠巢賢姪坦屬松軒史評（《西都賦》）
鈐印：「史」「評」
〈四〉款識：夫自天觀象昏旦之刻...是惟熙載節刻漏銘應書農三兄同年屬即希正之如山弟慕維德（《新刻漏銘》卷五十六〈文選〉）
鈐印：「維」「德」
〈五〉款識：公相人也世有令德為時名卿自公少時已擢高科登顯仕海內之士聞下...作晝錦之堂於後圃既又刻詩於石。繼園大兄大人雅正弟單懋謙（《相州晝錦堂記》）
鈐印：「埊山」
〈六〉款識：溫潤成性夙擅雕龍之採行已窮於六本蘊德包於四科臨為。筠巢年老前輩大人正。晚王景淳
鈐印：「景淳」
款識：鐘毓山川稟靈象緯幻而風韻開爽志節通亮弓彈百步之奇劔敵萬人之氣以村官入選。筠巢年老前輩大人正。晚馮譽驥
鈐印：「譽驥」
款識：乃正始明道詩雜仙心何晏之徒率多浮淺唯嵇志清峻阮旨遙深。故能標焉乙巳夏日奉。筠巢年老前輩大人正晚蕭浚蘭
鈐印：「浚」「蘭」
款識：下帳從志含臺擅奇採學肆之珠玉價倍梁楚伐翰林之杞梓林高。廊廟臨率更書。筠巢年老前輩大人正。晚周學𣿰
鈐印：「𣿰印」「縵雲」
〈七〉款識：董元宰雲王右丞畫餘從檇李項氏見釣雪圖盈尺而已絕無皴法石田所謂草樹淩競人局脊者最後得山水小幀頗類營丘而高簡過之又於長安楊高郵所見山居圖則筆法類大李有宣和御題皆不如江山雪霽圖。青友前芽大人。教正。館後學杜堮
鈐印：「臣杜堮章」「次厓氏」「與古為新」
〈八〉款識：楚國詞人御蘭芬於絕代漢朝才子綜鞶帨於遙年筠巢老前輩年世大人政待龔自閎
鈐印：「自閎」
款識：殷后華宗名卿胄系人物代德衣冠重世逢時翼主膺朝佐帝運榮經綸執鈞匡濟節皇甫碑筠巢年老前輩大人正待馮培元
款識：至於長洲之濱故城之垤曹孟德孫仲謀所睥睨周瑜陸遜所馳騖其流風遺跡驚愕世俗筠巢年老前輩大人正待馬儀清
鈐印：「芸」「湖」
款識：若夫四言正體則雅潤為本五言流調則清麗居宗筠巢仁弟老前輩大人正孫毓溎
鈐印：「梧江」
款識：其清若鏡味甘如體南注丹霄之右東流度如雙闕貫穿青瑣縈帶紫房奉筠巢老前輩年大人正待宋晉
鈐印：「宋晉」
〈九〉款識：餘幼年稽古之暇黨喜讀屈大夫所著離騷經今老矣猶時刻手之不但記其昌辭正以其竭忠盡力凜然有囯士之目每振冠斂衽如見其人凡芳艸卉木一經品題者謂可起敬者也因按爾雅神農書所載根苗花葉之相亂也名實之異同也悉元元本本分別部居次之於槧會萃成書區別之以目夫樧似樹蕭艾似繁與夫紫鞠之似蘭及已之似若猶佞之於忠鄉原之於德也得是書形見色屈或庶幾焉舉無以亂其真昔劉杳為草木疏二卷見於本傳今其書不僅有於簡篇矣戊申四月書奉。繼園仁兄大人同年大方家𢫦謬。小弟馮培元
鈐印：「馮培元印」「小亭」
〈十〉款識：是日也天朗氣清惠風和暢仰觀宇宙之大俯察品類之盛...倦情隨事遷感慨系之矣。右完武蘭亭古本夲章異國文完郝公家舊物也公之嗣子恭政初學翁取愚古錞于一遂以此見惠時公有三本皆是一石所拓沒皆以遺人其達如此炳記筠巢年伯大人鑒正姪許彭壽（《蘭亭集序》）
鈐印：「壽」「印」
〈十一〉款識：穉燕啣新綠憨鶯啄瘦紅曉來蘭徑露華濃花倚春人人倚畫闌風試黛三分褪添衣一晌慵自携雲縠掩湘櫳不管鞦韆閒在翠炯中南歌子畫漿春潮有幾個傷心才子想當日控孫百萬陳雲紫寶劍芒爭紅燭影玉笙詞怨黃花水讓金焦終古閲興亾雙雙峙衛叔寳蒼茫意祖士雅英雄淚更銅琶鉄撲驪龍驚睡天塹何湏南北限江流只共年華逝聼寺樓纔打一聲鐘風吹起滿江紅暫停了焦桐弦柱指上泠水流難駐玉埒嘶風送君還覓送春處幾條楊柳偏解得留君住卻聼子規聲苦道是不如歸去凝佇儘襟前袖底寫滿倦棕零緒吟身似燕問明日舊巢誰侶還只怕一點離蒐迩鞭影低搖殘雨囑卸了征帆為訊東湖鷗鷺長亭怨慢海門梧葉秋聲句為繼園大兄大人屬錄弟元錫
鈐印：「元錫」「仙蕃」
〈十二〉款識：觀自在菩薩行深般若波羅密多時照見...菩提薩婆訶般若波羅密多心經。道光十有五年歲在旃蒙協洽皋月之望敬書心經一藏於蒲坂縣署之止吉祥齋恭呈。芝農先生大人誨捥莫兆文謹識（《般若波羅蜜多心經》）
鈐印：「莫兆文印」「文在其手」
〈十三〉款識：李伯時效唐小李將軍為著色泉石雲物草木花竹皆絕妙動人...名動四夷後之攬者不獨圖畫之可觀亦足仿佛其人耳。芾。道光戊申夏四月二十九日臨舊藏孔穀園先生墨蹟奉宗伯太老夫子大人鈞誨玉虹樓主人不規規刻畫襄陽而自有一種後逸不群之氣未能追蹤百一昌盛愧悚。門下晚生許彭壽謹呈（《西園雅集》）
鈐印：「壽」「印」「芸皋墨緣」「師竹」
Dr Joseph McDermott (1945-2022), Cambridge, acquired in Japan in the 1980s
Emeritus Reader in Chinese History and Fellow at St John's College, University of Cambridge, Joseph McDermott's (1945-2022) research focused on Chinese social, economic, and cultural history, mainly during the Song, Yuan, and Ming dynasties. A gifted linguist and a generous scholar, McDermott was known for his enduring commitment to Sino-Western academic exchange. His painting collection was mostly acquired in Japan in the 1980s.
This album of thirteen calligraphic fans brings together top scholar-officials of the late Qing dynasty. One of the most important figures represented is Yinghe (1771–1840), a Manchu bannerman and Associate Grand Secretary whose calligraphy was ranked alongside Prince Cheng and Liu Yong, though his career was nearly ended by exile after an Imperial tomb scandal. Shan Maoqian (1807–1879) rose to Grand Secretary of the Wenyuan Pavilion, serving under four Emperors' reigns, while Feng Yuji (1822–1883), a Lingnan child prodigy who served as governor of Shaanxi before being impeached and dismissed in 1883. Song Jin (1802–1874) is remembered for petitioning against the Fuzhou Shipyard, and Xu Pengshou (1821–1866), son of Grand Secretary Xu Naipu, helped settle ritual protocol after the Xianfeng Emperor's death.
Among the other contributors, Feng Peiyuan (1815–1853) placed third in the 1844 examination and drowned himself rather than surrendering to Taiping forces. Mo Zhaowen (d. 1840s) was a Hainan magistrate so beloved that villagers carried his coffin home in a journey spanning over a year. Xiao Junlan (1822–1873) composed a couplet for the rebuilt Tengwang Pavilion and Zhou Xuejun (1810–1858) contributed to the iconic 'Nine Friends of Painting' scroll at the Songyun Temple in Beijing. Mu Weide (1779–1840) served as prefect of Tingzhou before becoming Vice Minister of the Court of Imperial Entertainments.
常见问题
这件元錫；宋晉；馮培元；許彭壽；莫兆文；英和；史評；慕維德；單懋謙；王景淳；馮譽驥；蕭浚蘭；周學𣿰；杜堮；龔自閎；馬儀清；孫毓溎 | YUANXI (active 18th–19th century); SONG JIN (active 19th century); FENG PEIYUAN (1815–1853); XU PENGSHOU (1821–1866); MO ZHAOWEN (c.1790s-1840s); YINGHE (1771–1840); SHI PING (1778–1837); MU WEIDE (1779–1840); SHAN MAOQIAN (1807–1879); WANG JINGCHUN (1814-1878); FENG YUJI (1822–1883); XIAO JUNLAN (1822–1873); ZHOU XUEJUN (1810–1858); DU E (1764-1859); GONG ZIHONG (1819-1879); MA YIQING (1822-1900); SUN YUYAN (1803-1867)的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
