拍品信息
拍品名称
蔡鶴汀（1909-1976） 春日風光 設色紙本 鏡框 | CAI HETING (1909-1976)
年代
Spring Landscape
起拍价
USD 7,000
估值区间
USD 7000 - 10000
尺寸
未知
品相
未知
更多信息
Spring Landscape
Framed and glazed, ink and color on paper, signed Zhenshi Sanren Cai Heting, with two artist's seals.
58 9/16 x 31 1/2in (148.8 x 80cm)
Footnotes
The present landscape of imposing scale features towering bluffs rendered with vigorous axe-cut texture strokes and an exceptionally rich array of staffage figures and animals. Drawing upon motifs from different periods of the Chinese art history, the artist weaves together a remarkably cohesive pictorial world. Waterfowl painted in the manner of Zhao Danian, peculiar rocky mountains and buffalo-herding scenes inspired by Southern Song paintings, and horse-washing scenes recalling Yuan dynasty precedents. There are also auspicious imageries such as rams and flocks of birds among pine trees. A village woman portrayed instructing her son is set in intriguing contrast to fashionable urban ladies in qipao taking a nap by a window. Splendid palace-like architecture is bustled with visitors, while secluded hermit lodges lie hidden amid dense bamboo groves. Through these carefully orchestrated juxtapositions, the artist harmoniously captures both the vitality of worldly activity and the quiet pleasure of everyday life, creating a scene that is at once animated and serene.
Cai Heting, courtesy name Yiyuan and sobriquet Zhenshi Sanren, was a native of Taijiang, Fuzhou. Demonstrating extraordinary artistic talent from an early age, he founded an advertising company at the age of fifteen and already participated in stage design projects in Shanghai by the age of twenty-one. He later joined the Shanghai Painting and Calligraphy Society, where he became acquainted with leading artists like Zhang Daqian, and soon held his first solo exhibition. Following 1949, he remained in Shanghai for a while, working as an illustrator before relocating to Xi'an. There, he served as a committee member of Shaanxi Opera Research Society, and as a stage designer for the Shaanxi Qinqiang Experimental Theater Troupe. Cai's extensive experience in stage design greatly enriched his artistic visions and enabled him to master an exceptionally wide range of subjects. Whether depicting figures, landscapes, birds, beasts, flowers, insects, fish, fruits or vegetables, he rendered each with striking sensitivity and refinement. His paintings are distinguished by their bold and inventive compositions, animated by a wealth of vivid and engaging details that imbue his works with exceptional vitality.
蔡鶴汀（1909-1976） 春日風光 設色紙本 鏡框
款識：枕石散人蔡鶴汀
鈐印：鶴汀、蔡
蔡氏此幅人物山水尺幅碩大，斧劈皴掃出峭壁錯落，巉巖陡峙，極盡詭譎之態；氣勢恢宏中又見點綴其間的人物鳥獸，生趣盎然，剛柔互濟。通幅雜糅多種畫題于一紙，有趙大年的沙汀鳧雁、南宋的奇崛山巒與柳蔭牧牛，又見松林百鳥、溪畔飲馬，鄉間農舍裏村婦課子，茜紗窗影下女郎酣眠，有郊外觀景殿閣之堂皇，亦有竹林高士仙居之清幽。衆生碌碌，濟然相洽，人世的喧鬧與靜好，各自安在。
蔡鶴汀，字頤元，號枕石散人，福州台江人。年十五即自設廣告社，二十一歲參與上海大舞台美術設計，復入上海書畫會，與張大千等名家交遊，並舉辦首次畫展。一九四九年後，先於上海從事連環畫創作，後移居西安，歷任陝西省戲曲研究會藝委會委員，並加入陝西省秦腔實驗劇團，嗣後隨團併入陝西省戲曲研究院，專司舞台美術設計。此一特殊從業經歷，使其筆下無論人物山水、飛禽走獸、翎毛花卉、蟲魚瓜果，無不精妙；造景構圖別出新裁，風搖葉動，萬籟有聲。
Framed and glazed, ink and color on paper, signed Zhenshi Sanren Cai Heting, with two artist's seals.
58 9/16 x 31 1/2in (148.8 x 80cm)
Footnotes
The present landscape of imposing scale features towering bluffs rendered with vigorous axe-cut texture strokes and an exceptionally rich array of staffage figures and animals. Drawing upon motifs from different periods of the Chinese art history, the artist weaves together a remarkably cohesive pictorial world. Waterfowl painted in the manner of Zhao Danian, peculiar rocky mountains and buffalo-herding scenes inspired by Southern Song paintings, and horse-washing scenes recalling Yuan dynasty precedents. There are also auspicious imageries such as rams and flocks of birds among pine trees. A village woman portrayed instructing her son is set in intriguing contrast to fashionable urban ladies in qipao taking a nap by a window. Splendid palace-like architecture is bustled with visitors, while secluded hermit lodges lie hidden amid dense bamboo groves. Through these carefully orchestrated juxtapositions, the artist harmoniously captures both the vitality of worldly activity and the quiet pleasure of everyday life, creating a scene that is at once animated and serene.
Cai Heting, courtesy name Yiyuan and sobriquet Zhenshi Sanren, was a native of Taijiang, Fuzhou. Demonstrating extraordinary artistic talent from an early age, he founded an advertising company at the age of fifteen and already participated in stage design projects in Shanghai by the age of twenty-one. He later joined the Shanghai Painting and Calligraphy Society, where he became acquainted with leading artists like Zhang Daqian, and soon held his first solo exhibition. Following 1949, he remained in Shanghai for a while, working as an illustrator before relocating to Xi'an. There, he served as a committee member of Shaanxi Opera Research Society, and as a stage designer for the Shaanxi Qinqiang Experimental Theater Troupe. Cai's extensive experience in stage design greatly enriched his artistic visions and enabled him to master an exceptionally wide range of subjects. Whether depicting figures, landscapes, birds, beasts, flowers, insects, fish, fruits or vegetables, he rendered each with striking sensitivity and refinement. His paintings are distinguished by their bold and inventive compositions, animated by a wealth of vivid and engaging details that imbue his works with exceptional vitality.
蔡鶴汀（1909-1976） 春日風光 設色紙本 鏡框
款識：枕石散人蔡鶴汀
鈐印：鶴汀、蔡
蔡氏此幅人物山水尺幅碩大，斧劈皴掃出峭壁錯落，巉巖陡峙，極盡詭譎之態；氣勢恢宏中又見點綴其間的人物鳥獸，生趣盎然，剛柔互濟。通幅雜糅多種畫題于一紙，有趙大年的沙汀鳧雁、南宋的奇崛山巒與柳蔭牧牛，又見松林百鳥、溪畔飲馬，鄉間農舍裏村婦課子，茜紗窗影下女郎酣眠，有郊外觀景殿閣之堂皇，亦有竹林高士仙居之清幽。衆生碌碌，濟然相洽，人世的喧鬧與靜好，各自安在。
蔡鶴汀，字頤元，號枕石散人，福州台江人。年十五即自設廣告社，二十一歲參與上海大舞台美術設計，復入上海書畫會，與張大千等名家交遊，並舉辦首次畫展。一九四九年後，先於上海從事連環畫創作，後移居西安，歷任陝西省戲曲研究會藝委會委員，並加入陝西省秦腔實驗劇團，嗣後隨團併入陝西省戲曲研究院，專司舞台美術設計。此一特殊從業經歷，使其筆下無論人物山水、飛禽走獸、翎毛花卉、蟲魚瓜果，無不精妙；造景構圖別出新裁，風搖葉動，萬籟有聲。
常见问题
这件蔡鶴汀（1909-1976） 春日風光 設色紙本 鏡框 | CAI HETING (1909-1976)的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
