Lot 379 Attributed to Nguyen Gia Tri (1908-1993): 'Bather'

Attributed to Nguyen Gia Tri (1908-1993): 'Bather'

dated 1st Jan. 1974

未知

€ 4.000 – € 8.000

HD: H. 88,5 cm, D. 51 cm (the frame) | HD: H. 67,5 cm, D. 37,5 cm (the work)

未知

Nguyễn Gia Trí (1908–1993) is regarded as one of the most influential figures in modern Vietnamese art and a pioneer of the lacquer painting medium. Born in Hà Tây Province (now part of Hanoi), he studied at the École des Beaux-Arts de l’Indochine, where he specialized in lacquer painting and graduated in 1936. From a family of skilled embroiderers who worked for the imperial court, Nguyễn Gia Trí absorbed the sensibility of silk and textile craftsmanship from an early age. This deep-rooted craft tradition shaped his fine eye for pattern, detail, and materiality.
Throughout his career, he transformed lacquer from a decorative craft into a refined artistic language, introducing innovative techniques incorporating multiple layers of lacquer, eggshell, gold, and silver. His lyrical depictions of women, Vietnamese landscapes, and stylized compositions established a new aesthetic vocabulary for modern lacquer art. Nguyễn Gia Trí is celebrated as one of the “Four Masters” of modern Vietnamese painting, and in 2012 he was posthumously awarded the prestigious Ho Chi Minh Prize for his cultural and artistic contributions.
以下内容由AI翻译：
【名称】
阮嘉智（1908-1993）作《沐浴者》
【年代】
1974年1月1日
【描述】
阮嘉智（1908–1993）被认为是现代越南艺术中最具影响力的人物之一，也是漆画媒介的先驱。他出生于河西省（现为河内的一部分），在印度支那美术学院学习，专攻漆画，并于1936年毕业。他的家族是为皇室工作的熟练刺绣工，阮嘉智从小就吸收了丝绸和纺织工艺的敏感性。这种根深蒂固的手工艺传统塑造了他对图案、细节和材质的敏锐眼光。
在他的职业生涯中，他将漆从一种装饰工艺转变为一种精致的艺术语言，引入了多层漆、蛋壳、金和银的创新技术。他对女性、越南风景和风格化构图的抒情描绘为现代漆画艺术建立了新的美学词汇。阮嘉智被誉为现代越南绘画的“四大大师”之一，并于2012年被追授胡志明奖，以表彰他在文化和艺术方面的贡献。