拍品信息
拍品名称
清乾隆 窯變釉貫耳方壺 | A FLAMBÉ-GLAZED VASE, FANGHU
年代
Qianlong seal mark and of the period
起拍价
HKD 150,000
估值区间
HKD 150000 - 200000
尺寸
未知
品相
未知
更多信息
Qianlong seal mark and of the period
The pear-shaped body of rectangular section rising from a gently spreading foot to a quatrefoil rim, the waisted neck set with a pair of square tubular handles, the front and back belly each moulded with a raised peach-form panel, overall covered in a rich purple-red transmutation glaze streaked with mottled blue, thinning to a light beige colour at the rim and along the edges, the base incised with a six-character seal mark and further applied with a greyish glaze with russet flecks, fitted box.
30.5cm (12in) high. (2).
Footnotes
清乾隆 窯變釉貫耳方壺
「大清乾隆年製」篆書刻款
Provenance:
Sotheby's London, 6 November 2013, lot 335
來源：
倫敦蘇富比，2013年11月6日，拍品編號335
The inspiration for the flambé glaze can be attributed to the splashed wares of the Song dynasty. However, this specific red glaze, created from copper with additional lead content, was notably unstable and challenging to regulate within the kiln environment, leading to the highest failure rate among all Chinese glazes. It was only through the development of advanced technical proficiency during the Qing period, particularly during the Qianlong reign, that successful production of flambé-glazed porcelain was achieved, thereby emphasising the exceptional quality and rarity of the present lot.
A number of examples of this type of vase are in museum and private collections: one in the British Museum, London, is illustrated in , vol.II, London, 1915, pl.23, fig.1. See also a flambé-glazed in the Tsui Museum of Art, illustrated in , Hong Kong, 1995, no.47. Compare a very similar vase in the Huaihaitang collection, Qianlong seal mark and period, illustrated in , Hong Kong, 2007, no.78.
Compare a similar flambé-glazed -form vase, Qianlong seal mark and of the period, which was sold at Christie's New York, 21 September 2023, lot 877. See also a flambé-glazed rectangular pear-shaped vase, which was sold at Bonhams London, 18 May 2023, lot 144.
本壺所施之窯變釉可溯至宋代鈞窯。由於釉料中除銅外，還含有微量鉛等呈色元素，於窯中極不穩定，難以控制，為諸釉中失敗率最高者。直至清代，尤以乾隆朝，技術臻於成熟，方得成功燒造窯變釉瓷，足見本品之罕有。
此類方壺，博物館及私人收藏多有例證，包括大英博物館藏一例，著錄於《Chinese Pottery and Porcelain》卷2，倫敦，1915年，圖版23，圖1；徐氏藝術館藏一例，著錄於《徐氏藝術館：陶瓷IV：清代》，香港，1995年，編號47；及懷海堂藏一例，帶乾隆篆書款，著錄於《機暇清賞：懷海堂藏清代御窯瓷缾》，香港，2007年，編號78。
比較一件清乾隆窯變釉貫耳方瓶，帶篆書款，售於紐約佳士得，2023年9月21日，拍品編號877；及另一例售於倫敦邦瀚斯，2023年5月18日，拍品編號144。
The pear-shaped body of rectangular section rising from a gently spreading foot to a quatrefoil rim, the waisted neck set with a pair of square tubular handles, the front and back belly each moulded with a raised peach-form panel, overall covered in a rich purple-red transmutation glaze streaked with mottled blue, thinning to a light beige colour at the rim and along the edges, the base incised with a six-character seal mark and further applied with a greyish glaze with russet flecks, fitted box.
30.5cm (12in) high. (2).
Footnotes
清乾隆 窯變釉貫耳方壺
「大清乾隆年製」篆書刻款
Provenance:
Sotheby's London, 6 November 2013, lot 335
來源：
倫敦蘇富比，2013年11月6日，拍品編號335
The inspiration for the flambé glaze can be attributed to the splashed wares of the Song dynasty. However, this specific red glaze, created from copper with additional lead content, was notably unstable and challenging to regulate within the kiln environment, leading to the highest failure rate among all Chinese glazes. It was only through the development of advanced technical proficiency during the Qing period, particularly during the Qianlong reign, that successful production of flambé-glazed porcelain was achieved, thereby emphasising the exceptional quality and rarity of the present lot.
A number of examples of this type of vase are in museum and private collections: one in the British Museum, London, is illustrated in , vol.II, London, 1915, pl.23, fig.1. See also a flambé-glazed in the Tsui Museum of Art, illustrated in , Hong Kong, 1995, no.47. Compare a very similar vase in the Huaihaitang collection, Qianlong seal mark and period, illustrated in , Hong Kong, 2007, no.78.
Compare a similar flambé-glazed -form vase, Qianlong seal mark and of the period, which was sold at Christie's New York, 21 September 2023, lot 877. See also a flambé-glazed rectangular pear-shaped vase, which was sold at Bonhams London, 18 May 2023, lot 144.
本壺所施之窯變釉可溯至宋代鈞窯。由於釉料中除銅外，還含有微量鉛等呈色元素，於窯中極不穩定，難以控制，為諸釉中失敗率最高者。直至清代，尤以乾隆朝，技術臻於成熟，方得成功燒造窯變釉瓷，足見本品之罕有。
此類方壺，博物館及私人收藏多有例證，包括大英博物館藏一例，著錄於《Chinese Pottery and Porcelain》卷2，倫敦，1915年，圖版23，圖1；徐氏藝術館藏一例，著錄於《徐氏藝術館：陶瓷IV：清代》，香港，1995年，編號47；及懷海堂藏一例，帶乾隆篆書款，著錄於《機暇清賞：懷海堂藏清代御窯瓷缾》，香港，2007年，編號78。
比較一件清乾隆窯變釉貫耳方瓶，帶篆書款，售於紐約佳士得，2023年9月21日，拍品編號877；及另一例售於倫敦邦瀚斯，2023年5月18日，拍品編號144。
常见问题
这件清乾隆 窯變釉貫耳方壺 | A FLAMBÉ-GLAZED VASE, FANGHU的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
