Lot 1100 壽山石自用印三方 清末民初 | Three Soapstone Seals
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拍品信息
拍品名称
壽山石自用印三方 清末民初 | Three Soapstone Seals
年代
Late Qing/early Republic period
起拍价
USD 2,000
估值区间
未知
尺寸
未知
品相
未知
更多信息
Late Qing/early Republic period
Including a carved soapstone 'bamboo' seal for the late-Qing/early Republic Cantonese collector Huang Yunchao, and a pair of square soapstone seals for Tenghua Yin Guan Zhuren.
'Bamboo' seal: 2 x 7/8 x 11/16in (5.1 x 2.3 x 1.7cm)
Square seals: 2 x 9/16 x 9/16in (5.1 x 1.4 x 1.4cm), each (3).
Footnotes
Provenance:
'Bamboo' seal: Collection of Huang Yunchao, late Qing/Republic period
Huang Yunchao, courtesy name Yanshan, was a native of Nanhai, Guangdong Province, and was active during the late Qing and Republic periods. He was a noted collector and connoisseur of Chinese paintings and stone rubbings. The celebrated Jiuchenggong Liquan Ming (Inscription on the Sweet Spring in the Jiucheng Palace), now in the collection of the Art Museum, The Chinese University of Hong Kong (accession no. 1992.0024, gift of Dr. J.S. Lee's Bei Shan Tang), was once in Huang Yunchao's collection. Alson formerly in his collection was the painting Dutou Lianying by the renowned Ming dynasty artist Tang Yin (1470-1524) in the collection of the Shanghai Museum.
The identity of the owner of the pair of square seals, whose studio name was "Tenghua Yin Guan," remains uncertain, as several Qing dynasty scholar-officials adopted this studio name. Among them, the most prominent was Liang Zhangju (1775-1849), who named his retirement studio in Fuzhou "Tenghua Yin Guan" after leaving official service. The title of his poetry anthology also features this studio name. Other known users include Yang Kui (1760-1804), a Grand Council official during the Qianlong reign, and Chen Qiren (1836-1903), a secretary in the Ministry of Justice, both of whom titled their literary anthologies Tenghua Yin Guan.
壽山石自用印三方 清末民初
其一：黃雲巢自用壽山石雕竹形印
印文：嶺南黃氏雲巢珍賞印
其二：平頂六面方壽山石對章
邊款：光清朗以内耀，澤溫潤而外津。
印文：袞堇、藤花吟館主人
來源：
竹形印：黃雲巢（清末民初）舊藏
黃雲巢，字硯山，清末民初廣東南海人氏，著名書畫及金石鑑藏家。現香港中文大學文物舘所藏汪氏孝經堂南宋拓本《九成宮醴泉銘》（館藏編號1992.0024）即為其舊藏，後由利榮森北山堂於一九九二年將此本轉贈文物舘保存。二〇一六年，此拓本入選《國家珍貴古籍名錄》（編號11472）。此外，上海博物館藏唐寅《渡頭簾影圖》軸亦為黃氏所蓄，右下角鈐有其朱文藏印「曾藏黃硯山家」。
對章所鎸「藤花吟館」主人尚難確考，以此為齋名者頗有其人，最著者為清中葉江蘇巡撫及金石學家梁章鉅（1775-1849），其致仕後於福州故里築藤花吟館，遺址今存福州梁章鉅故居東園，並刊有《藤花吟館詩鈔》行世。此外，乾隆朝軍機處大臣楊揆（1760-1804）亦著有《藤花吟館詩文集》。又「花」、「華」二字古多通用，著有《藤華吟館詩錄》的十九世紀刑部主事陳棨仁（1836-1903），亦雅好金石善本。
Including a carved soapstone 'bamboo' seal for the late-Qing/early Republic Cantonese collector Huang Yunchao, and a pair of square soapstone seals for Tenghua Yin Guan Zhuren.
'Bamboo' seal: 2 x 7/8 x 11/16in (5.1 x 2.3 x 1.7cm)
Square seals: 2 x 9/16 x 9/16in (5.1 x 1.4 x 1.4cm), each (3).
Footnotes
Provenance:
'Bamboo' seal: Collection of Huang Yunchao, late Qing/Republic period
Huang Yunchao, courtesy name Yanshan, was a native of Nanhai, Guangdong Province, and was active during the late Qing and Republic periods. He was a noted collector and connoisseur of Chinese paintings and stone rubbings. The celebrated Jiuchenggong Liquan Ming (Inscription on the Sweet Spring in the Jiucheng Palace), now in the collection of the Art Museum, The Chinese University of Hong Kong (accession no. 1992.0024, gift of Dr. J.S. Lee's Bei Shan Tang), was once in Huang Yunchao's collection. Alson formerly in his collection was the painting Dutou Lianying by the renowned Ming dynasty artist Tang Yin (1470-1524) in the collection of the Shanghai Museum.
The identity of the owner of the pair of square seals, whose studio name was "Tenghua Yin Guan," remains uncertain, as several Qing dynasty scholar-officials adopted this studio name. Among them, the most prominent was Liang Zhangju (1775-1849), who named his retirement studio in Fuzhou "Tenghua Yin Guan" after leaving official service. The title of his poetry anthology also features this studio name. Other known users include Yang Kui (1760-1804), a Grand Council official during the Qianlong reign, and Chen Qiren (1836-1903), a secretary in the Ministry of Justice, both of whom titled their literary anthologies Tenghua Yin Guan.
壽山石自用印三方 清末民初
其一：黃雲巢自用壽山石雕竹形印
印文：嶺南黃氏雲巢珍賞印
其二：平頂六面方壽山石對章
邊款：光清朗以内耀，澤溫潤而外津。
印文：袞堇、藤花吟館主人
來源：
竹形印：黃雲巢（清末民初）舊藏
黃雲巢，字硯山，清末民初廣東南海人氏，著名書畫及金石鑑藏家。現香港中文大學文物舘所藏汪氏孝經堂南宋拓本《九成宮醴泉銘》（館藏編號1992.0024）即為其舊藏，後由利榮森北山堂於一九九二年將此本轉贈文物舘保存。二〇一六年，此拓本入選《國家珍貴古籍名錄》（編號11472）。此外，上海博物館藏唐寅《渡頭簾影圖》軸亦為黃氏所蓄，右下角鈐有其朱文藏印「曾藏黃硯山家」。
對章所鎸「藤花吟館」主人尚難確考，以此為齋名者頗有其人，最著者為清中葉江蘇巡撫及金石學家梁章鉅（1775-1849），其致仕後於福州故里築藤花吟館，遺址今存福州梁章鉅故居東園，並刊有《藤花吟館詩鈔》行世。此外，乾隆朝軍機處大臣楊揆（1760-1804）亦著有《藤花吟館詩文集》。又「花」、「華」二字古多通用，著有《藤華吟館詩錄》的十九世紀刑部主事陳棨仁（1836-1903），亦雅好金石善本。
