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Each attenuated figure is seated, wearing a crisply modeled knee-length robe with long, flowing sleeves over loose pantaloons, secured by a buckled belt above the waist. Their faces are delicately rendered, with high foreheads beneath small peaked caps. Each figure holds a musical instrument, comprising two reed flutes, a bag-like flute, three drums, two qin, and a pair of cymbals. Traces of red and white pigment remain.
The dating is consistent with the results of two Oxford TL tests, nos. C104z32 and C104z33.
Note:
It is rare to find a group of musicians of such large size, and the present group is particularly fine for the naturalistic rendering of the diverse musicians and the remarkably well-preserved pigments. For a related group of musicians and dancers, see the outline drawings of figures excavated from two Northern Wei tomb sites at Yanshi, Henan province, illustrated in Kaogu, 1993, no. 5, pp. 414–425. Compare also a set of eight painted pottery musician figurines from the Northern Wei period held by the Ulanqab City Museum in Inner Mongolia, and a set of eight painted pottery male musician figurines from the Northern Qi period held by the Aurora Museum in Shanghai.
寬衣闊帶,骨秀神清,北魏漢化后宮廷雅樂之一景,參見内蒙古乌兰察布市博物館所藏北魏彩绘陶制伎乐俑一組八件;以及上海震旦博物館所藏北齊彩繪陶男樂俑一組八件。
Provenance:
Sotheby's New York, March 31, 2005, Fine Chinese Ceramics and Works of Art, Sale n8077, Lot 250.
來源:
紐約蘇富比2005年3月31日中國陶瓷及工藝精品專場第250號。
以下内容由AI翻译:
【名称】
北魏晚期-北齊 灰陶彩繪伎樂俑一組九件
【年代】
北魏晚期-北齊 (500-577 A.D.)
【描述】
每個細長的人物都是坐姿,穿著一件長至膝蓋的長袍,袖子寬大飄逸,褲子鬆散,腰上用扣帶固定。他們的臉部精緻地塑造,額頭高聳,戴著小尖帽。每個人都手持一種樂器,包括兩支蘆笛、一支袋狀笛、三面鼓、兩把琴和一副鈸。仍保留有紅色和白色的顏料痕跡。
年代與牛津熱釋光測試編號 C104z32 和 C104z33 的結果一致。
注:
如此大型的音樂家群像非常罕見,這組作品特別出色的地方在於其自然主義的表現手法和保存良好的顏料。相關的音樂家和舞者群像可參見河南省偃師市出土的北魏墓葬圖示,詳見《考古》1993年第5期,第414-425頁。還可以比較內蒙古烏蘭察布市博物館收藏的一組八件北魏時期的彩繪陶制伎樂俑,以及上海震旦博物館收藏的一組八件北齊時期的彩繪陶男樂俑。
寬衣闊帶,骨秀神清,北魏漢化后宮廷雅樂之一景,參見内蒙古乌兰察布市博物館所藏北魏彩绘陶制伎乐俑一組八件;以及上海震旦博物館所藏北齊彩繪陶男樂俑一組八件。
【品相】
有舊修復。年代與牛津熱釋光測試編號 C104z32 和 C104z33 的結果一致。