Lot 2076 Anonymous, Scattered fans, Sealed I’nen, Edo period, 17th century | 扇面散図屏風　伊年印　江戸時代前期　17世紀

Anonymous, Scattered fans, Sealed I’nen, Edo period, 17th century | 扇面散図屏風　伊年印　江戸時代前期　17世紀

HKD 150,000

150,000 - 200,000 HKD

未知

Overall, the screen is in good condition. Most Japanese screens have some restoration by the nature of their use being opened and closed repeatedly. There is some wear around the hinges consistent with age and use, the central two panels with some uneven toning (discolouration), there is some wear and slight rubbing to the pigments and paper surface due to the nature of the panels resting face-en-face, including some slight wear and lifting to the moriage, the raised gold pigment and gofun with some slight cracks in places, some slight wormage particularly around the hinges with associated re-touching in gold, some further scattered repairs in gold pigment, some oxidisation to the silver pigment, some slight marks, there is a large tear running across the central two panels in the fan with trailing vine as can be seen in the illustration, in the second panel from the left there is a tear with gold pigment repair through the fan depicting winter willow, the black lacquer mounts with some old wear.

If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.

six-panel folding screen: ink, colour, gold and silver on paper, sealed I’nen, silk brocade border, black lacquer mounts, engraved copper-gilt fittings
173 x 381 cm. (when unfolded)
173 x 63.5 cm. (when folded)
来源：Keishukyo shozohin nyusatsu [Auction Catalogue of the Keishukyo Collection], Tokyo Art Club, 14th December 1936, Lot 127.
展览：Nihon no seika Rimpa [Rimpa: The Essence of Japan], Takashimaya (Kyoto) and Matsuya (Ginza, Tokyo), 1994, cat. no. 37.
Nihon no bi Rinpa ten [Rimpa: The Beauty of Japan], Sakai City Museum, Osaka, 1996, cat. no. 16.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 11.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 9.
著录：Yuzo Yamane, Sotatsu, Tokyo, 1962, pl. 85.
Yuzo Yamane ed., Rinpa kaiga zenshu Sotatsu-ha II [Paintings of Rimpa: Sotatsu School II], Tokyo, 1978, pl. 31.
Kobayashi Tadashi ed., Rimpa [The Rimpa School], vol. 5, Tokyo, 1992, no. 20.
Hiroyuki Kano ed., Jidai byobu shuei [Masterpieces of Japanese Screen Painting Through the Ages], Tokyo, 2003, pl. 130.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 94.
图录
说明：來源
《渓舟居所蔵品入札》， 東京美術俱樂部， 東京， 1936年12月14日， 編號127
展覽
《日本美の精華- 琳派》，髙島屋（京都）， 松屋（東京 銀座），1994年，編號37
《日本の美 琳派展 1996》，堺市博物館，大阪，1996年，編號16
《琳派名品展》，三越（日本橋），東京，2015年，編號11
《琳派の精華》，岡田美術館，箱根，2015年，編號9
出版
山根有三，《宗達》，東京，1962年，圖版85
山根有三，《琳派絵画全集：宗達派2》，東京，1978年，圖版31
小林忠編，《琳派》，卷5 総合，東京，1992年，編號20
狩野博幸，《時代屏風聚英》，東京，2003年，圖版130
小林忠編，《岡田美術館名品撰》，卷1，東京，2019年，編號94