Lot 49 銅胎畫琺瑯⌈明式山水⌋鼻煙壺 ⌈乾隆年製⌋藍釉楷書款 | A PAINTED ENAMEL 'BLUE LANDSCAPE' SNUFF BOTTLE

銅胎畫琺瑯⌈明式山水⌋鼻煙壺 ⌈乾隆年製⌋藍釉楷書款 | A PAINTED ENAMEL 'BLUE LANDSCAPE' SNUFF BOTTLE

Qianlong four-character mark, probably later

AUD 8,000

AUD 8000 - 12000

未知

未知

Qianlong four-character mark, probably later
measured without the stopper 5.2cm high
Footnotes
Provenance:
Yung Feng, Hong Kong, 31 Jan 1972, #1360 (V. Bruce's snuff bottle journal, #56, and invoice)
銅胎畫琺瑯⌈明式山水⌋鼻煙壺 ⌈乾隆年製⌋藍釉楷書款
傳承：
香港榮豐，1972年1月31日，編號1360（V. Bruce鼻煙壺札記，編號56，及賬單）
Qianlong period monochromatic landscapes on copper bottles are more often in puce than in blue. The Ming-style landscapes in blue with reign mark are most famously done on snuff dishes, including the one from the Tuyet Nguyet and Stephen Markbreiter collection, sold at Sotheby's, Hong Kong, 4 Jun 2021, lot 1033, another at Christie's, Hong Kong, 12 Oct 2021, lot 11, and a third one published in 張榮，你應該知道的200件鼻烟壺，北京故宮博物院, Taipei, 2008, p.144.
Blue landscapes on bottles are rare, most of them probably not marked. See one in the Royal Ontario Museum, dated to the mid 18th to mid 19th century acc.no., and another from the Crane collection, accessed . In the footnotes of the 'Crane' bottle, the comparison was drawn from copper enamel in other forms (such as a kettle), and porcelain bottles in underglaze blue from the Qing Dynasty - further evidence of the scarcity of such bottles.
Qianlong marks within a square border are rare on enamelled copper snuff bottles. The mark closest to that on the present bottle, on an example also dated to the Qianlong period, is illustrated in , Hong Kong, 2013, p.380, pl.359. Another bottle dated to the Qianlong period is in the Palace Museum, Beijing, see 張榮，，北京故宮博物院, Taipei, 2008, p.102, though the mark is of seal script and in black enamel.
乾隆本朝的銅胎琺瑯彩色山水鼻煙壺，多見以瑰紫色繪畫，藍色者較少。紀年款的明式風格的藍色山水紋，最著名者見於煙碟，其中一件出自Tuyet Nguyet及Stephen Markbreiter收藏，於2021年6月4日在香港蘇富比拍賣，；另一件於2021年10月12日在香港佳士得；第三件則著錄於張榮，《你應該知道的200件鼻烟壺》，北京故宮博物院，台北，2008年，頁144。
藍彩山水紋鼻煙壺頗為罕見，且大多可能無款。可參考加拿大皇家安大略博物館所藏一例，年代定為十八世紀中葉至十九世紀中葉，館藏編號；另一例出自鶴聚堂，可於查閱。鶴聚堂壺的註釋中，所引比較例子為其他器形的銅胎畫琺瑯器（如提樑壺），以及清代青花瓷鼻煙壺，亦可佐證此類鼻煙壺之稀少。
乾隆款帶方框於銅胎琺瑯鼻煙壺中亦屬罕見，與本件最相近款識亦斷為乾隆本朝的案例，見《祖謙珍藏》中国鼻烟壶收藏Ⅱ，香港，2013年，380頁，圖版359號，另有一件斷代為乾隆本朝見於北京故宮博物院，見張榮，《你應該知道的200件鼻烟壺》，北京故宮博物院，台北，2008年，頁102，惟其款識為篆書黑彩。