拍品信息
拍品名称
清十八世紀 康熙第十子敦郡王允䄉像 設色紙本 鏡框
起拍价
USD 50,000
估值区间
50,000 - 70,000 USD
尺寸
未知
品相
如欲了解本拍品狀況的更多資訊，請聯絡 Drew.Lerner@sothebys.com
更多信息
ink and color on paper, framed
Height 55⅛ in., 140 cm; Width 29⅝ in., 75.3 cm
来源：E&J Frankel，紐約，約2016年
图录
说明：Aisin Gioro Yun’e (1683–1741), the tenth son of the Kangxi Emperor, was born to Noble Consort Wenxi of the powerful Niohuru clan and was a maternal grandson of Ebilun (d. 1673), one of the four regents appointed during the early years of the Kangxi reign. In 1709, Yun’e was granted the title of Prince Dun of the Second Rank (Dun junwang).
Like many of his brothers, Yun’e became embroiled in the bitter political struggles surrounding the ascension to the throne after the death of Kangxi Emperor. Following the accession of his fourth brother as the Yongzheng Emperor in 1723, Yun’e fell from favor for his close association with the princes Yunsi and Yuntang and his alleged involvement in factional intrigues with Nian Gengyao (1680-1726), a prominent general who had helped the Yongzheng Emperor secure the throne, and Longkodo (1658-1728), the Yongzheng Emperor's powerful maternal uncle and commander of the Beijing garrison. Stripped of his rank and placed under house arrest in Beijing, he remained in confinement for more than a decade. Only in 1737, following the accession of the Qianlong Emperor and a general amnesty extended to members of the imperial clan, was Yun’e released and restored to the rank of Fuguo Gong (Duke Who Assists the State). He died in 1741 and was interred with the honors accorded to a beizi, or Prince of the Third Rank.
Executed in the meticulous gongbi tradition with precise linework and carefully modulated washes of color, the painting combines the formality of Qing imperial portraiture with the intimate atmosphere of a literati studio. The book, potted pine and marble-inset screen were surely chosen to present Yun’e not merely as a prince removed from political life, but as a cultivated gentleman devoted to learning, contemplation and self-discipline. This subtle fusion of official portraiture and the imagery of private self-cultivation distinguishes the present work from the more conventional ceremonial portraits of Qing imperial princes. There are no other portraits of Yun'e in this style. Compare a portrait of Prince Guo also in this scholarly setup, from the collection of Richard G. Pritzlaff (1902-1997), first sold in these rooms, 22nd March 2001, lot 138, again in the same rooms, 25th March 2026, lot 182.
Height 55⅛ in., 140 cm; Width 29⅝ in., 75.3 cm
来源：E&J Frankel，紐約，約2016年
图录
说明：Aisin Gioro Yun’e (1683–1741), the tenth son of the Kangxi Emperor, was born to Noble Consort Wenxi of the powerful Niohuru clan and was a maternal grandson of Ebilun (d. 1673), one of the four regents appointed during the early years of the Kangxi reign. In 1709, Yun’e was granted the title of Prince Dun of the Second Rank (Dun junwang).
Like many of his brothers, Yun’e became embroiled in the bitter political struggles surrounding the ascension to the throne after the death of Kangxi Emperor. Following the accession of his fourth brother as the Yongzheng Emperor in 1723, Yun’e fell from favor for his close association with the princes Yunsi and Yuntang and his alleged involvement in factional intrigues with Nian Gengyao (1680-1726), a prominent general who had helped the Yongzheng Emperor secure the throne, and Longkodo (1658-1728), the Yongzheng Emperor's powerful maternal uncle and commander of the Beijing garrison. Stripped of his rank and placed under house arrest in Beijing, he remained in confinement for more than a decade. Only in 1737, following the accession of the Qianlong Emperor and a general amnesty extended to members of the imperial clan, was Yun’e released and restored to the rank of Fuguo Gong (Duke Who Assists the State). He died in 1741 and was interred with the honors accorded to a beizi, or Prince of the Third Rank.
Executed in the meticulous gongbi tradition with precise linework and carefully modulated washes of color, the painting combines the formality of Qing imperial portraiture with the intimate atmosphere of a literati studio. The book, potted pine and marble-inset screen were surely chosen to present Yun’e not merely as a prince removed from political life, but as a cultivated gentleman devoted to learning, contemplation and self-discipline. This subtle fusion of official portraiture and the imagery of private self-cultivation distinguishes the present work from the more conventional ceremonial portraits of Qing imperial princes. There are no other portraits of Yun'e in this style. Compare a portrait of Prince Guo also in this scholarly setup, from the collection of Richard G. Pritzlaff (1902-1997), first sold in these rooms, 22nd March 2001, lot 138, again in the same rooms, 25th March 2026, lot 182.
常见问题
这件清十八世紀 康熙第十子敦郡王允䄉像 設色紙本 鏡框的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
拍品的品相状况如何？
如欲了解本拍品狀況的更多資訊，請聯絡 Drew.Lerner@sothebys.com
这件拍品的流传来源是什么？
E&J Frankel，紐約，約2016年
图录
图录
