Lot 2145 Attributed to the Kano school, Birds and flowers in spring and autumn, Momoyama – Edo period, early 17th century | 狩野派 春秋花鳥図屏風 桃山～江戸時代初期 17世紀初頭
落槌价
预展中
成交价
预展中
| 拍卖公司 | 苏富比 |
|---|---|
| 拍卖时间 | 2026年09月04日 |
拍品信息
拍品名称
Attributed to the Kano school, Birds and flowers in spring and autumn, Momoyama – Edo period, early 17th century | 狩野派 春秋花鳥図屏風 桃山～江戸時代初期 17世紀初頭
起拍价
HKD 150,000
估值区间
150,000 - 200,000 HKD
尺寸
未知
品相
Overall, the screens are in good condition, most Japanese screens have some restoration by the nature of their use being opened and closed repeatedly, there is some wear around the hinges consistent with age and use, each panel with some areas of paper losses and with associated repairs, some slight marks, some slight wear to the paper surface, the gold and gofun moriage with some surface wear including slight lifting, cracking and some small losses in places with associated touching-in, some wear to the malachite green and blue pigment, some slight wormage, minor old wear to the black lacquer mount, the later backing paper in good condition.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
pair of six-panel folding screens: ink, colour and gold on paper, sealed, silk brocade borders, black lacquer mounts, engraved copper-gilt fittings
169 x 384 cm. (when opened)
169 x 64 cm. (when folded)
来源：Sotheby’s, New York, Japanese Prints and Works of Art, 4th June 1987, Lot 240 (right screen).
著录：Taizo Kuroda, "Newly Discovered Screens Depicting Spring and Autumn" in Kokka [Flower of the Nation], vol. 1260, Tokyo, February 2000, p. 25.
Hiroyuki Kano ed., Jidai byobu shuei [Masterpieces of Screens], Tokyo, 2003, pl. 82.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 82.
图录
说明：來源
紐約蘇富比1987年6月4日，編號240（右屏風）
出版
黑田泰三，《新発見の春秋花鳥図屏風》，《國華》，卷1260，東京，2000年2月，頁25
狩野博幸，《時代屏風聚英》，東京， 2003年， 圖版82
小林忠編，《岡田美術館名品撰》，卷1，東京，2019年，編號82
169 x 384 cm. (when opened)
169 x 64 cm. (when folded)
来源：Sotheby’s, New York, Japanese Prints and Works of Art, 4th June 1987, Lot 240 (right screen).
著录：Taizo Kuroda, "Newly Discovered Screens Depicting Spring and Autumn" in Kokka [Flower of the Nation], vol. 1260, Tokyo, February 2000, p. 25.
Hiroyuki Kano ed., Jidai byobu shuei [Masterpieces of Screens], Tokyo, 2003, pl. 82.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 82.
图录
说明：來源
紐約蘇富比1987年6月4日，編號240（右屏風）
出版
黑田泰三，《新発見の春秋花鳥図屏風》，《國華》，卷1260，東京，2000年2月，頁25
狩野博幸，《時代屏風聚英》，東京， 2003年， 圖版82
小林忠編，《岡田美術館名品撰》，卷1，東京，2019年，編號82
常见问题
这件Attributed to the Kano school, Birds and flowers in spring and autumn, Momoyama – Edo period, early 17th century | 狩野派 春秋花鳥図屏風 桃山～江戸時代初期 17世紀初頭的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
拍品的品相状况如何？
Overall, the screens are in good condition, most Japanese screens have some restoration by the nature of their use being opened and closed repeatedly, there is some wear around the hinges consistent with age and use, each panel with some areas of paper losses and with associated repairs, some slight marks, some slight wear to the paper surface, the gold and gofun moriage with some surface wear including slight lifting, cracking and some small losses in places with associated touching-in, some wear to the malachite green and blue pigment, some slight wormage, minor old wear to the black lacquer mount, the later backing paper in good condition.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
这件拍品的流传来源是什么？
Sotheby’s, New York, Japanese Prints and Works of Art, 4th June 1987, Lot 240 (right screen).
这件拍品被哪些著录书籍记载？
Taizo Kuroda, "Newly Discovered Screens Depicting Spring and Autumn" in Kokka [Flower of the Nation], vol. 1260, Tokyo, February 2000, p. 25.
Hiroyuki Kano ed., Jidai byobu shuei [Masterpieces of Screens], Tokyo, 2003, pl. 82.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 82.
图录
Hiroyuki Kano ed., Jidai byobu shuei [Masterpieces of Screens], Tokyo, 2003, pl. 82.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 82.
图录
