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款識:紅樹青山好放舟。丁卯秋九月,傳芳居士老平。
鈐印:「王平」。
款識:弄萍濯破鏡花秋,掉尾揚鰭得自由。最怕碧峰岩下影,風藤如線月如鉤。
鈐印:「碧珊」、「碧印」。
19.5 x 12.5 cm, 7⅝ by 4⅞ in.
来源:據家傳,現藏家父親於1920年代末或1930年代入藏,此後家族傳承
图录
说明:These delicately painted panels represent the new styles pursued by porcelain artists upon the fall of the Qing dynasty. With imperial orders discontinued, craftsmen in the porcelain center of Jingdezhen were released from the constraints of the court and eagerly sought to develop new markets. In 1928 eight of the leading artists formed a group called Yueman hui (Full Moon Society), as they met to exchange ideas during the full moon. This group later became known as Zhushan Bayou (Eight friends of Zhushan), comprised of Wang Qi, Cheng Yiting, Deng Bishan, Wang Dafan, Wang Yeting, He Xuren, Bi Botao, Xu Zhongnan and Tian Hexian.
Deng Bishan (1874-1930), a native of Yuganxian, Jiangxi province, excelled in painting fish swimming amongst aquatic plants in a style that reflects a degree of Japanese influence. Well educated and a skilled calligrapher, he was highly respected by porcelain painters in Jingdezhen, teaching Wang Qi calligraphy and portrait painting on porcelain. A set of four fish plaques, from the collection of the Hon. Andrew Li Kwok Nang, was sold at Christie’s Hong Kong, 1st December 2010, lot 2832; and another was included in the exhibition ibid., cat. no. 82, together with four smaller plaques, cat. nos 78-81.
Wang Yeting (1884-1942), known also by the monikers Wang Ping and Wang Jian, was a native of Leping, Jiangxi province and known particularly for his landscape and flower-and-bird (huaniao) paintwork. Compare a related large landscape plaque by Wang Yeting, dated to 1939, sold in our New York rooms, 18th March 2014, lot 498.