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Kangxi
Deftly pierced and modelled as craggy rockwork and gnarled pine trees, a young boy climbing over the mouth rim, his tufted head bent sharply to the left as he peers down outside the vessel towards a toad emerging from below, the entire surface covered in a lustrous turquoise-blue glaze. 9.5cm (3 3/4in) high.
Footnotes
Please note this Lot is to be sold at No Reserve. 本拍品不設底價
清康熙 孔雀藍釉童子蟾蜍紋鏤空筆筒
Provenance:
S. Marchant & Son, London
Acquired from the above on 2 November 2004
Published and Illustrated:
S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, pp.196-197
來源:
倫敦古董商馬錢特
從上處獲得于2004年11月2日
墨一閑,《筆筒淵鑒:收藏家的隨心所悟》,香港,2020年,第196-197頁
The boy on the present lot may depict Liu Hai, the legendary Daoist Immortal often shown in the company of a three-legged toad ( 蟾蜍). According to popular legend, Liu Hai befriended and subdued the magical creature, which possessed the ability to produce gold and silver and was therefore associated with the acquisition of wealth and good fortune. In art, Liu Hai is frequently represented enticing the toad with a string of cash coins, symbolising the attraction and attainment of prosperity.
The three-legged toad itself occupies an important place in Chinese folklore and Daoist symbolism. Associated with hidden treasure, it came to be regarded as one of the most potent emblems of wealth and auspicious fortune. The image of the toad emerging from a cave is particularly evocative, as caves and rocky grottoes were traditionally viewed as liminal spaces connected with Immortals and supernatural realms. The interaction between the youthful figure and the toad may therefore be understood not merely as a playful scene, but as an auspicious visual metaphor for the discovery of hidden blessings, the attainment of prosperity, and the pursuit of transcendence. Such imagery was especially appropriate on a scholar's object, where it conveyed wishes for both material success and spiritual cultivation.