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細節: A BLACK LACQUER THREE-CASE INRO
JAPAN, EDO PERIOD (19TH CENTURY), SIGNED <i>KANSAI SAKU</i> (KOMA KANSAI)
The broad, rectangular body with a rich <i>roiro</i> ground lacquered in delicate gold and <i>iro-e</i> <i>togidashi maki-e</i> and <i>e-nashiji</i> with a goose swimming on calm rippled waters among lotus plants on one side and a clump of stalks of blue-bearded irises growing among reeds on the reverse, the interior of red lacquer with matt gold lacquer risers, signed on the base in gold<i> hiramaki-e</i> <i>Kansai saku, </i>with an inlaid bronze tubular <i>ojime </i>decorated with irises in silver high relief, signed <i>Tomoyuki </i>within a rectangular reserve, and a two-part lacquered <i>manju</i>-netsuke inlaid in coloured shell high relief with three ants crawling beside two sprays of berried leaves, signed on the reverse <i>Akashi </i>within a carved red-lacquer rectangular reserve.
2 ½ in. (6.5 cm.) high
來源: Walter Lionel Behrens Collection.
Demaree and Dorothy Bess Collection.
Purchased from Eskenazi Ltd., London, 1990, Charles A. Greenfield collection, no.165, with original collector's label.
Wrangham Collection, no.2007, with original collector's label.
出版: Harold P. Stern<i>, </i><i>THE MAGNIFICENT THREE: LACQUER, NETSUKE, AND TSUBA, Selections from the Collection of Charles A. Greenfield, </i>exhibition catalogue, New York, Japan Society, Inc., 1972, p.81, no.148.
Eskenazi Ltd., <i>The Charles A. Greenfield Collection of Japanese Lacquer</i>, London, 1990, no.98.
展覽: New York, Japan House Gallery, <i>THE MAGNIFICENT THREE: LACQUER, NETSUKE, AND TSUBA, Selections from the Collection of Charles A. Greenfield</i>, autumn 1972.