Lot 2067 A set of ten enamelled stoneware dishes, Signed on the base Kenzan (Ogata Kenzan, 1663-1743), Kenzan ware, Kyoto, Edo period, 18th century | 尾形乾山　色絵絵替角皿　10各　江戸時代中期　18世紀前半

A set of ten enamelled stoneware dishes, Signed on the base Kenzan (Ogata Kenzan, 1663-1743), Kenzan ware, Kyoto, Edo period, 18th century | 尾形乾山　色絵絵替角皿　10各　江戸時代中期　18世紀前半

HKD 150,000

150,000 - 200,000 HKD

未知

Overall, the set of ten dishes are in good condition, each with some minor kiln frits and firing imperfections, a few very minor losses to the glaze in places (particularly to the rims) which probably occurred during firing, Morning glories with firing imperfections and bubbling to the glaze to the exterior on one side, Chestnuts and Plum blossoms with firing imperfection along the base, Plum blossoms with a vertical hairline extending down the side of the bottom left corner, a small chip to the bottom let corner on the exterior, Waves with slight running of the iron oxide to the interior from the rim, Autumn maple leaves and river with a small area of loss to the glaze which probably occurred during firing.

If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.

the set of ten rectangular stoneware dishes with high sides, painted in coloured underglaze enamels on a finely crackled cream ground, variously decorated with pines on a shore, morning glories, chrysanthemums, autumn maple leaves and river, descending geese, waves, chestnuts, a waterside pavilion beneath wisteria, bellflowers and plum blossoms, the sides decorated with foliate geometric pattern, iron-oxide under transparent glaze rim, each signed Kenzan on the flat base in underglaze iron-oxide
each approx. 16.3 x 16.7 x 2.8 cm.
展览：Dento no bi Kyoyaki [Kyoto Ware: Traditional Beauty], Daimaru, Kyoto, 1976.
Toyo no toji, Aichi-ken Toji Shiryokan honkan kaikan kinen tokubetsu-ten [Oriental Ceramics: Special Exhibition Commemorating the Opening of the Main Building of the Aichi Prefectural Ceramic Museum], Aichi Prefecture, 1979, cat. no. 139.
Nihon no yakimono iroe-e no utsuwa 100 [One Hundred Masterpieces of Polychrome Japanese Ceramics], Suntory Museum of Art, Tokyo, 1985, cat. no. 139.
Kenzan no togei [Ceramics of Kenzan], Gotoh Museum, Tokyo, 1987, cat. no. 38.
Tojiki no bunkashi [Cultural History of Ceramic Ware], National Museum of Japanese History, Chiba, 1998, cat. no. 110.
Ogata Kenzan kaiyo sanbyakunen Kyoyaki no keifu Ogata Kenzan to Kyo no yakimono-ten [Kenzan and Kyoto Ceramics: The 300th Anniversary of the Opening of Ogata Kenzan's Kiln and the Genealogy of Kyoto Ware], Takashimaya (Nihonbashi, Kyoto, Osaka), 1999, cat. no. 32.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 32.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 36.
著录：Yuzo Yamane ed., Rimpa kaiga zenshu Korin-ha II [Paintings of Rimpa Korin School II], Tokyo, 1980, p. 98.
Richard Wilson and Saeko Ogasawara, Ogata Kenzan zensakuhin to sono keifu [Ogata Kenzan: His Life and Complete Works], vol. 1, Tokyo, 1992, pl. 104.
Richard Wilson and Saeko Ogasawara, Ogata Kenzan zensakuhin to sono keifu [Ogata Kenzan: His Life and Complete Works], vol. 2, Tokyo, 1992, pl. 109.
图录
说明：展覽
《伝統の美 京焼》，大丸，京都，1976年
《東洋の陶磁―愛知県陶磁資料館本館記念特別展》，愛知縣陶瓷資料館，愛知，1979年，編號139
《色絵の器100：日本のやきもの》，サントリー美術館，東京，1985年，編號139
《乾山の工芸》，五島美術館，東京，1987年，編號38
《陶磁器の文化史》，国立歴史民俗博物館，千葉， 1998，編號110
《尾形乾山開窯300年・京焼の系譜 乾山と京のやきもの展》，髙島屋(日本橋、京都、大阪)，1999年， 編號32
《琳派名品展》，三越（日本橋），東京，2015年，編號32
《琳派の精華》，岡田美術館，箱根，2015年，編號36
出版
山根有三，《琳派絵画全集：光琳派2》，東京，1980年，頁98
Richard Wilson 及小笠原 佐江子，《尾形乾山一全作品とその系譜》，卷1，東京，1992年，圖版104
Richard Wilson 及小笠原 佐江子，《尾形乾山一全作品とその系譜》，卷2，東京，1992年，圖版109