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Lot 320 清雍正 青花忍冬紋碗 | A FINE BLUE AND WHITE BOWL

中国瓷器及工艺精品
落槌价
预展中
成交价
预展中
拍卖公司邦瀚斯
拍卖时间2026年10月28日
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拍品信息

拍品名称
清雍正 青花忍冬紋碗 | A FINE BLUE AND WHITE BOWL
年代
Yongzheng six-character mark and of the period
起拍价
HKD 150,000
估值区间
HKD 150000 - 200000
尺寸
未知
品相
未知
更多信息
Yongzheng six-character mark and of the period
The rounded sides decorated on the exterior with three alternating pairs of stylised foliate sprays arranged opposite each other and separated by foliate spandrels between double line borders, fitted box.
10.2cm (4in) diam. (2).
Footnotes
清雍正 青花忍冬紋碗
青花「大清雍正年製」楷書款
Provenance:
An American private collection, Salem, Massachusetts, 1975
Christie's New York, 22 March 2013, lot 1533
來源:
美國麻薩諸塞州塞勒姆私人收藏,1975年
紐約佳士得,2013年3月22日,拍品編號1533
Known in Chinese as ('enduring winter'), honeysuckle is a hardy climbing vine that retains its verdancy through the cold season. First introduced to China from Central Asia alongside Buddhism during the Northern and Southern Dynasties, the honeysuckle scroll was widely used in early cave-temple decoration to represent resilience, spiritual purity, and perpetual vitality. By the Qing dynasty, this ancient motif was seamlessly adapted into Court porcelain decoration, where its original Buddhist connotations evolved into refined wishes for longevity and continuous blessing. The combination of archaistic floral medallion compositions and soft, painterly underglaze blue brushwork echoes the prised Chenghua (1465–1487) prototypes that Yongzheng so admired and frequently commanded the imperial kilns at Jingdezhen to emulate. See a related Chenghua blue and white bowl, in the Palace Museum, Taipei, included in , Taipei, 2003, cat.no.27.
Compare a closely related Yongzheng mark and period blue and white bowl, which was sold at Christie's Hong Kong, 30 October 2001, lot 810. See also a smaller blue and white bowl painted with similar motifs to the exterior, Yongzheng mark and of the period, which was sold at Christie's New York, 17 September 2015, lot 2232.
忍冬紋(意即「耐寒不凋」),為一種生命力頑強之攀緣藤本植物,歷經嚴冬仍能保持青翠。忍冬紋於南北朝時期隨佛教自中亞傳入中國,廣泛應用於早期石窟寺觀之裝飾,象徵堅韌不拔、淨化心靈與生生不息之生命力。及至清代,此一紋飾被融於宮廷御瓷之繪飾之中,其原始之佛教寓意亦演化為對福壽綿長、綿延不絕之祥瑞祝福。此器將復古之花卉團紋構圖與柔和具畫意之青花筆觸巧施結合,呼應了雍正皇帝極為推崇並屢命景德鎮御窯仿製之成化青花名品遺風。可參考台北故宮博物院藏一件成化青花碗,錄於《成化瓷器特展》,台北,2003年,圖錄編號27。
比較一件極為相似之雍正款青花忍冬紋碗,售於香港佳士得,2001年10月30日,拍品編號810;另可比較一件外壁繪相似紋飾且尺寸較小之例,售於紐約佳士得,2015年9月17日,拍品編號2232。

常见问题

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